18th September, NMF!

Sam Smith – Diamonds Lyrics | Genius Lyrics

SAM SMITH / DIAMONDS

As though they could ascertain our fears that the label had demanded more MOR balladry despite the bangers we have heard so far, Smith returns with a catastrophic impact in the form of ‘Diamonds’ – a sickly smooth continuation of that classic Sam Smith formula meets the dancefloor. It’s as effortlessly brilliant as Dua Lipa’s recent output.

Ava Max Shows Promise on Debut Album 'Heaven & Hell': Review

AVA MAX / BORN TO THE NIGHT

Evil album artwork choice aside, Ava’s new album is out and it deserves at least one listen. You’ll find in it some pretty sweet and easy pop, which has its place in the world as much as anything else. ‘Born to the Night’ takes The Weeknd’s 80s formula and spins Ava’s lopsided wig all over it and, as regressive as it might be, it’s a blast.

SOFI TUKKER, NOVAK, TAX.X / EMERGENCY

Sofi Tukker’s name on any piece of work almost guarantees a keyboard-mashing-blessed-Madonna mix designed for a dark bedroom confined rave. ‘Emergency’ might be the only time you hear Simon Says incorporated into any song, let alone a dance song, but Sofi Tukker are so fucking good at this that it just… works.

Liverpool's future superstar Pixey unleashes her monster new single "Just  Move" | Best Fit

PIXEY / JUST MOVE

GOD it’s so exciting when new artists come out with something that sounds like they’ve been around for years. ‘Just Move’ has the charisma of a rippling sunset on a field full of sunflowers; the guitar licks, fluctuating melody, the drum beat… it’s all infectious. Hard to see how Pixey doesn’t make a huge surge out of this.

I don't wanna talk about me - Stereo Jane

STEREOJANE / I DON’T WANNA TALK ABOUT ME (R3HAB REMIX)

A rare occurrence of remix improving the original song without actually doing much here. In fact, it only takes a few listens for your brain to be tricked into thinking this was always how the song sounded. I mean it’s essentially a bootleg remix, but that twangy electronic bass just takes this chorus somewhere much bigger.

HERE ARE THIS WEEKS HIGHLIGHTS, GET INTO THEM:

July 19th, NMF!

Here are the best five tracks of this wonderful New Music Friday:

SAM SMITH / HOW DO YOU SLEEP?

Did I really expect a Sam Smith song to be my favourite of the week? When typically his songs would be reserved for insomnia drenched nights, ‘How Do You Sleep?’ is an exciting evolution of a newly expressive artist. The video, which is great, is an overt celebration of his queerness and I can’t help but be ecstatic watching Sam’s slow revelation that his queerness does not need to be hidden anymore. What’s best is that, even if this does have a high pitched trap-drop, this doesn’t sound a single step out of place? It’s effortlessly cool, an utter slow jam that we think is going to be huge.

SOFI DE LA TORRE / PERO NO

‘Pero No’ follows ‘Estamos Mal’ in reestablishing Sofi with her Spanish roots, continuing to showcase her exceptional songwriting skill in her native tongue. Now I’m not a fluent speaker, but that doesn’t stop me positively soaking in everything here – it’s succulent and warm, a melancholic and yet blissful summer bop thanks to her typical emotionally charged vocals. Again this is Sofi excelling at what she knows and is very good at.

CHARLOTTE LAWRENCE / WHY DO YOU LOVE ME?

With Billie Eilish on the way to being the next big thing, it was only a matter of time before someone starting to draw inspiration from her very unique sound. ‘Why Do You Love Me’ is going to be the first of many, and it’s so similar to something Billie would put out that it’s almost disturbing. The ASMR vocals, the plinky bass, the slightly demented chorus – it’s ALL here. I almost admire the sheer change in sound to this from everything before to be honest!

CHLOE MK / DAVID BOWIE

Immediately the title evokes Gaga and 80s driven pop music, and luckily the sonic build of the song does little to subvert that. Chloe has seemingly came from almost nowhere with perfectly crafted 00’s pop songs that remind me of the golden days of Gaga and the collection of stars, such as Natalia Kills, that followed her meteoric rise. ‘David Bowie’ is subtle and immaculate, doubling as a love song and a tragedy, and immediately sets Chloe apart from the other girls on the scene right now with its dedication and coolness. In a world of Ava Max’s, be a Chloe MK.

CHARLI XCX, CHRISTINE AND THE QUEENS / GONE

Consider this a somewhat muted celebration of the new Charli XCX song, because we all know the type of electro-pop that she is capable of by now and unfortunately ‘Gone’ brings little new to the table. Nothing necessarily wrong with that, but I have heard Charli XCX do this song a few times before and for that it loses an initial spark. WITH that aside, it’s a hook driven distillment of everything Charli has come to represent, and Christine stops in for a quick vocal too. I’d never noticed how similar they could sound before, but it’s certainly obvious here.