Music

New Music Friday: February 28th!

LADY GAGA / STUPID LOVE

What else is there to say about this totally new, never been heard before banger? Quite honestly when Gaga fires on all cylinders, there’s nothing like it. ‘Stupid Love’ might just be the best thing she’s put out since Born This Way and it marks a return to the sleeker off-kilter ARTPOP Gaga we’ve all missed since Bradley Cooper got a hold of her. Welcome back PopGa, we’ve missed you.

CHARLOTTE OC / FREEDOM

Charlotte OC was behind one of 2018’s best songs, the subtly brilliant ‘Satellite’ and then the similarly brilliant ‘Boyfriend’ and ‘Better Off On My Own’ landed in 2019 and there was momentary hope that a bloody good album was on the horizon. It never came and we’re in 2020. ‘Freedom’ is her best in a while, an instantly charming power-in-belief anthem that, as Charlotte OC songs tend to do, will worm into your brain and find a home in there. We might be burned but that hope for an album is still there.

LPX / NEW MOOD

Aggression can be so fucking cool, can’t it? LPX gets that, and ‘New Mood’ is dedicated entirely to the vibe. With abrasive guitars, Kate Nash speak-swearing, a throat-achingly screamed chorus, it’s a literal catharsis.

SONIKKU, LIZ / WKND

I haven’t been this surprised by a song in quite a while, and speechless too. ‘WKND’ manages to make me feel things that I can’t even voice so I’ll just list them; Classic. Pop. Madonna. Borderline. Britney Spears. KPop. PCMusic. Sega MegaDrive. Dreamcast. Amazing.

JOE STONE, CAMDEN COX / MIND CONTROL

Now ‘WKND’ has decimated by brain cells with its time travelling ways, ‘Mind Control’ helps cement me back in reality. And it’s a sticky dancefloor at 11PM with a Bacardi Coke in my hand. Camden Cox is one to watch if you haven’t been already because basically amazing songs seem to flock around her in the form of her own and collaborations. Gorgeous dance music made for the club and the gym floor, with vocals that keep the emotion pounding through. What’s not to like?

What were your highlights of the week?

Music

November 29th, NMF!

Compared to recent weeks, we have a weaker effort to sift through this time. Luckily there are a few gems in the rough for our highlights as we head towards the close of the year. Check them out:

ASHS / PARANOID

You may already know ASHS as Alyssa Reid, having had brief success in 2011 with ‘Alone Again’. Initially intended to be somewhat of a side project, Alyssa has decided to put ASHS at the forefront and… well, it’s a good job because quite honestly the songs are brilliant. ‘Paranoid’ is a breath of fresh air, it’s Terror Jr meets So Below with a more grounded touch, an absolutely infectious epic. At the heart of it is a stunning R&B ballad with an equally gorgeous melody, but its the production that builds on that created world. An absolute win from every angle.

CAPULETS / SWEET ENOUGH

It’s going to take a lot to rebuild Xenomania’s lost legacy, and unfortunately their excessive pop touch hasn’t been quite the same since the era of Girls Aloud, but every now and then there’s another snap of genius. ‘Sweet Enough’ is brilliant because it actually focuses in their typically sporadic style, culminating in a classic Eurythmics styled epic dragged into the 21st century. There’s still a lot of air in the system, and it’s crying out for a fuller vocal, but the production deserves the commendation because we need more of this Xenomania.

DEVON BALDWIN / FIRE

Devon should already be on your radar, especially considering I push her at every opportunity. Already delivering an EP worth of masterfully produced mid-tempos in 2019, ‘Fire’ picks up where she left off in a much warmer capacity. Her icy production and ethereal vocal is trademark at this point, and in that regard ‘Fire’ delivers everything you need from a Devon song; atmospheric production that only amplifies the breathtaking delivery in front of it.

MALOU PRYTZ / IF IT AIN’T LOVE

Taking inspiration from The Saturdays, this time with correct grammar, Malou provides the bubblegum you need to get you through the week. Though the delivery gives you a sharpness the likes of Carly Rae usually trade for a genre-trade wisp, the production is exactly as bouncy as you need it to be. Designed to be cranked out of the car window, this is a welcome splash of sugar in a pretty sour week.

PETE TONG, HER-O, ZARA LARSSON / WITH EVERY HEARTBEAT

Well, would you look at this. A cover of one of the greatest songs of all time is a highlight of the week, but just as much for its own reasons. Zara Larsson fits the role of Robyn to a T, delivering a heartbreakingly good vocal, and there’s even a full orchestra version on the album too. This is a song that never ages, never tires and ultimately anyone could toy with and still have a great result, but there really is something to be said about how much emotion this still manages to translate and pull through. Now I’m craving a remix with Zara leading!

We’ve uncovered a massive 28 highlights this week, which can all be found below in our Eyes On NMF Playlist, so do check it out for any that you might have missed and give it a follow. That way you’ll never miss a great song!

Music

25th October, NMF!

Spooky season’s penultimate week has arrived, along with it a pretty strong New Music Friday collection. Whilst nothing quite screams phantoms and ghouls, save maybe for the haunting Nina Nesbitt cover of Britney Spears’ ‘Toxic’, there’s still plenty of highlight to dive into:

MURA MASA / NO HOPE GENERATION

Admittedly this trope of a generation left behind is fairly common nowadays, especially as those of us from that very generation starts making waves and having the audience to speak up on it, but Mura Masa has been quietly and expertly perfecting such a refined sound that moulds really well around it. The song relishes in a garageband-esque intimacy that wouldn’t sound amiss in a teen bedroom, cracking our necks as we scream along to it. The authenticity is what makes this so special, but the melodies and hooks it flits around on are just as divine.

CXLOE / DEVIL YOU DON’T

Commendation to anyone that writes around the phrase ‘Better the devil you know’ since Kylie Minogue already had one of the best songs of all time with that sentiment. Luckily for us ‘Devil You Don’t’ is sultry and seductive in all the right ways, opening as one song only for the chorus to switch up into something else entirely. CXLOE is on a bit of a run right now, her signature sound still a little murky, but this Allie X meets Spotify PopGirl mid-tempo is definitely more of the right thing.

PVRIS / OLD WOUNDS

PVRIS have, with the help of two phenomenal albums, established themselves as one of the finest female fronted rock bands of right now. ‘Old Wounds’, taken from their short new EP Hallucinations is more of what you expect and wish for from them: an intimate first half delivered with melancholic appeal, only for the shout-screaming to fade in with the anger. The way they unravel emotion with her vocals, knowing when to unreel the harsh production and when to keep it smaller, is one of the best things they’re doing right now.

AGNES / NOT DANGEROUS

Check out one of the highlights barely even having vocals in it this week, but that’s Agnes for you. You’ll know her for distilled Euro-pop like ‘Release Me’, which was a hit around the world, but what you won’t know is that following its success she has proven herself to be one of Sweden’s most intriguing artists – popping up every now and then with some of the most refined and interesting material of the year. This is taken from her new EP Nothing Can Compare and it melds perfectly with the rest of the material, the entire thing a perfect distillery of electronic music designed to get high to. Give it a chance.

TORINE / DANCING IN MY SLEEP

With Zara Larsson’s album shelved, and most probably scrapped, we’re forced to look elsewhere for material to fill that baby-Rihanna void. Luckily for us there’s plenty of songs taking the mantle, with Torine’s ‘Dancing In My Sleep’ in particular sounding exactly like the song you’d expect Zara to have followed ‘Ruin My Life’ with. Plucky strings, the stretchy chorus and mini breakdowns would sound right at home on both Zara’s first album and Rihanna’s LOUD.

Make sure you’re following the dedicated New Music Friday playlist to catch all the highlights in real time:

Music

May 31st, NMF!

Is this… Is this the greatest New Music Friday of all time? This is the time to grab a coffee, plug your earphones in and dedicate a good hour to this plethora of amazing pop songs. 2019 has never sounded better.

KATY PERRY / NEVER REALLY OVER

Returning with a point to prove, Perry really came back with her best lead single yet. Sampling Dagny’s equally amazing ‘Love You Like That’, there’s no other pop girl that has their finger on the pulse quite like Katy. ‘Never Really Over’ is absolutely exhilarating from start to finish; a total revolution of her Teenage Dream sound with the much-sought Swedish touch and a prechorus that SWELLS like an ocean into a chorus of relentless wordplay, leaving you literally gasping for breath. ‘Never Really Over’ is the sound of Katy Perry laughing at everyone who really though Witness was the nail in her coffin – it really is never over.

SASHA SLOAN / THOUGHTS

‘Thoughts’ is a brutal exercise in trepanation: the sound of Sasha Sloan drilling deep holes into her skull and allowing us to watch the demons that crawl out. She’s been somewhat of a revelation for songwriting over the past year or two: tackling her own mental health and severe self-doubt with a fearless optimism. But even beyond the piercing lyricism, ‘Thoughts’ stews in its stunning and minimal production to create a melancholic mid-tempo masterpiece.

LAUV / SAD FOREVER

‘Sad Forever’ takes similar cues to ‘Thoughts’, and it’s always great to see male artists exploring emotions we are told culturally to repress. Sonically it’s very familiar to ‘i’m so tired’ which is unsurprising considering it was both fantastic and a minor hit. I do wish the high squeak of the guitar string was phased out slightly, but nitpicking aside it’s built to be stuck in your head for days. “I don’t want to be medicated” he sings, exploring the use of antidepressants to keep us happy. It’s a much needed insight into problems so many are facing now, hidden deep inside of a bop. Great!

INGRID MICHAELSON / JEALOUS

You may or may not know Ingrid Michaelson already, but none of that really matters because ‘Jealous’ sounds like the debut of a whole new artist – one of those upcoming Spotify girls that have been in label purgatory for years slowly working on her craft. ‘Jealous’ sounds like the hit Julia Michaels has been searching for since ‘Issues’. A perfect blend of electro-pop and her traditional songwriter self… considering her last album was a collection of Christmas covers, and it has been three years since an original, consider me both surprised and elated.

CHERYL / LET YOU

There are half a dozen versions of this out already; the demo, two remixes and an orchestral version. Luckily the single version is the best of the lot, the highlight being its ecstatic Carly Rae production in contrast to an incredibly sleepy vocal. Cheryl’s real star power comes in her performances, and I can already envision the fantastic dance break she’ll hammer into that middle-8.

XYLO / YES & NO

‘yes & no’ was the big surprise this week, holding its own amongst some real heavy hitters – think Julia Michaels on a depressing acid trip and you’re halfway there. The sultry and sedated vocal giving off a positively creepy vibe alongside phenomenal production that would sound right at home on a horror video game or two.

I could sit and write about these songs all day, it really is the best New Music Friday you’ll find in a long time. Make sure to check out the rest or you’ll be missing out on some huge bangers.