Music

22nd May, New Music Friday!

Hey, we’re back. Make sure you’re following the Spotify playlist which is always updated weekly so you don’t miss out the highlights! Quarantine life be damned, we’re getting a highlight post out this week because it’s a crazy one. Last week was dominated by ‘Daisies’ really, this one is… well it’s a little spread of excellence.

LADY GAGA, ARIANA GRANDE / RAIN ON ME

It was almost inevitably going to be the big highlight of the week, with two of pops biggest artists coming together in a celebration of letting go of your sorrows and dancing the tears away. Of course, the stakes were high, but this hybrid house-pop dance banger manages to pull it off by bringing in that wistful Ariana vocal with those beloved Born This Way melodies. The result is something that feels exciting and fresh for Gaga, and seeing as the album is out in A WEEK it couldn’t have come a moment too soon.

CALL ME LOOP / STRIKE

Another heavy hitter this week in Call Me Loop, albeit on a different height of popstars like Ariana and Gaga. What we have here though is a contender for the years best of list, a ‘Runaway With Me’ style frothy pop song that feels simultaneously lightweight and melodically packed. Loop’s songwriting skills continue to be painfully underrated, something we still hope ‘React’ will help to rectify, and that’s never more obvious here than the gorgeous middle-8, a lovely intimate moment that recalls the older songs of hers. It’s no secret that there’s a huge Call Me Loop stan here, so there’s bias, but this feels like the closest she has been to breaking through with a song since ‘Give ‘N’ Take’ and ‘Love the Lie’.

ELLIE GOULDING / POWER

It’s been a weird few years for Ellie, hasn’t it? Admittedly we’ve afforded her more space than most, having opened up about the mental damage her last campaign did, but there’s been a real disconnect with her material since (most likely the labels behest). ‘Power’ is the first step to fixing that. Easily her best song in years but also, most importantly, alive with confidence and that typical Goulding heart that’s been strangely absent since ‘Figure 8’. The keen of hearing will notice the ‘Be the One’ interpolation, but the chorus is so fantastic that it really doesn’t matter after a few listens.

ALICE CHATER / TWO OF US

Alice Chater wasn’t built for indie success. In her videos, her production credits, her general appeal, it’s painfully obvious that Chater is one of the greats in waiting. Strangely that can sometimes hold one back, a cry against authenticity, and we’ve seen brief flits with apparent success yet no real fruition of it. ‘Two of Us’, with that in mind, feels like a real curtain-jerking moment of open vulnerability. Though not rocking the boat by any means, there’s something different about this release for her that feels so alive and exciting. Her delicate but gorgeous delivery takes this above and beyond, with a closer dedication to the melody and lyrical content than production, which is usually the case for Chater. It’s gorgeous, and hopefully the start of an album!

DAGNY / PARIS

What a damn week for music. In fact, there’s a potentially damning similarity between the highlights this week. All are dreamlike, whispery synth pop (which is apparently to my taste so…). Dagny is, like Call Me Loop above, a master at this. ‘Paris’ is arguably her best song yet, a real slowdown of that sugar-sweet formula of hers. The result is a gorgeous, sultry slice of pop music that relishes in her typical blueprint while showing us the other side of Dagny. There’s an EP to this too, Strangers/Lovers, which is the best of the week. If you’re looking for perfectly polished pop, there’s your bag.

Remember to keep your eyes on (!) the dedicated New Music playlist, where the highlights always continue. Every week. For you. (Apparently there’s an embedding issue so there won’t be a pretty graphic, but here’s the link)

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13th September, NMF!

NINA NESBITT / BLACK & BLUE

Nina Nesbitt is re-releasing her brilliant album as an acoustic bundle with three new songs, one of which is this intimate but catchy ode to self-abuse. Essentially another take on her song ‘The Best You Had’ but with a driving beat, much like the rest of her material the power in this is its simplicity and her vocal delivery translating a weighty amount of the emotion. It’s subtle in all the right ways, like all the best mid-tempos are, and is the exact Autumnal song I need right now.

CHARLIE PUTH / MOTHER

Sometimes the best songs come at you from nowhere, and despite Puth’s production talents being tapped by various artists now it looks as though Puth still has enough inspiration for himself. ‘Mother’ positions him as the male Eilish, complete with the warmest of plunky basses, by painting himself as the bad guy in the back of his car with his lover. Much like ‘Attention’ it’s basically just a left-field pop banger that sounds like an enormous hit before it’s even hit the ground running.

CHARLI XCX / SILVER CROSS

The Atlantic Queen of Pop Charli XCX drops her new album today, following approximately 400 promotional singles, but luckily she saved one of the best songs for the day of release. ‘Silver Cross’ doesn’t depart too much from Pop2 or Number 1 Angel, its thick bassline and reedy strings right at home in her typical sonic palette, but there’s a melodic confidence here that reminds me of True Romance all over again. Her ability to translate emotion into icy cold instrumentals is commendable, and there’s a special mention needed here for the incredible bridge. I’m glad that the best song on the album is a Charli solo track.

ROBINSON / DON’T SAY

Robinson has been on the cusp of breaking through with numerous songs clocking up the millions of streams online, and ‘Don’t Stay’ is definitely her most commercial release yet. Without sacrificing any of her acquired charm so far, it dabbles in Sigrid-esque synths but with an enormous Maggie Rogers chorus. Basically any album with this and ‘Karma’ on is an album I need delivered to my door right NOW.

HALSEY / GRAVEYARD

‘Nightmare’, Halsey’s political dedication to scream-pop, has been sanctimoniously dumped from her upcoming album. In its place is this much more melancholic, softly pastel epic. Clearly inspired by her number one hit ‘Without You’, it is a song entirely committed to substance over style – the substance being a really, really strong melody. I’d follow you to the grave is a fairly familiar melodramatic sentiment that feels apt for this dark princess of pop, and luckily the instrumental swells and bleeps in all the right places, meaning this is actually one of her warmest releases yet despite the dark sentiment.

Also:

+ Awfully titled budding artist SONIA dropped a gorgeous mid-tempo called ‘Joyride’.
+ Ella Henderson finally came out of the shadows to release a Julia Michaels song.
+ Miley Cyrus and Lana Del Rey team up with Ariana Grande in an effort to spice up one of her shelved songs, and they’re the best part of ‘Don’t Call Me Angel’.
+ Meghan Trainor is back with a little bit of a cringefest but it’s actually good?
+ Gabrielle Aplin is shouting quirky Japanese words in her song about pottery!

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May 10th, NMF!

Another great week on our hands, here are our absolute favourite tunes of the week:

GRACE CARTER / DON’T HURT LIKE IT USED TO

Grace Carter is the next British starlet that knows their way around a weighty ballad, each one emotional sledgehammers of character that evoke Emeli Sande and Adele but with a much more nuanced and pained outlook. ‘Don’t Hurt Like It Used To’ stuns from the first key, her characteristically huge voice keeping up with the equally big production. Her previous single ‘Heal Me’ was a revelation, and this very much feels like the dark sister track to that.

R3HAB, JULIE BERGAN / DON’T GIVE UP ON ME NOW

‘Don’t Give Up On Me Now’ continues Julie Bergan’s reign as 21st century dance queen, as she rises to the occasion for yet another banger of a dance track. It’s a pretty simple dance song, but Bergan as a pop star continues to enamor in her quest for world success.

AVICII, AGNES, VARGAS & LAGOLA / TOUGH LOVE

Posthumous releases are difficult to listen to, especially if you have a deep connection to the artist in question. Avicii left behind a short but rich legacy, his presence revolutionizing both dance and pop music around the globe. ‘Tough Love’ might not be as polished as his older material, but it’s boundless in effort and is the clear sound of an artist continuing to absorb inspirations. It’s difficult not to imagine Agnes taking this to Eurovision, its clear Europe sound a perfect fit to the infamous stage.

TEAMWORK, NINA NESBITT, AJ MITCHELL / AFTERHOURS

Firstly let’s acknowledge the fact Nina Nesbitt released the best album of the year so far to relatively quiet success. ‘Afterhours’ is a departure from anything on the album, more akin to the generic Chainsmokers-style hits that are all over Spotify right now. Nina elevates this with her presence, her icy vocal the highlight – and she deserves the streams.

CXLOE / LOW BLOW

‘Low Blow’ is CXLOE’s best song yet, positively bouncing as the production relentlessly rolls on. Typically when you’re starting out you need to have a song that either bleeds enough character for people to stop and notice you, or you need a damn good song that hits you on the very first play. For what this lacks in the former, it perfectly captures in the latter.

CARLY RAE JEPSEN / TOO MUCH

With one week away from the release of her new album, Dedicated, Carly has finally decided to drop a fantastic pop song. Drawing inspiration from Swifty’s ‘Delicate’, ‘Too Much’ sparkles with a new and exciting energy that only she can bring. It’s tender but sexual, sweet but daring, and we can finally start to get excited about the album.

Be sure to keep an eye on our dedicated playlists for new releases every single week!