December 11th, NMF!

If you can wrestle yourself away from the spellbinding new Taylor Swift album you’ll find there’s actually some pretty huge highlights floating around this week. From Britney Spears to Madison Beer, let’s get into it.

Taylor Swift Reveals a Holiday-Ready Beauty Look on Her New Album Cover |  Vogue

TAYLOR SWIFT / GOLD RUSH

Look, there’s no avoiding this album right now. Taylor has bodied the surprise reveal this year and, lucky for us, they’ve been both brilliant and perfect for the time. evermore might just be the better half, bringing us back in line with those traditional Swift melodies and touches. ‘gold rush’ was quite evidently touched by Antanoff and has a home in this new woodland parish she has settled in, but it’d also fit at home on any of her previous albums because behind that minimal sparseness, there’s just endless hooks and brilliantly written lyricism. It’s gorgeous.

Madison Beer – Boyshit

MADISON BEER / BOYSHIT

There almost couldn’t be a choice as abruptly different to Taylor here, Madison’s callout of worthless masculine banter relentlessly brash and purposefully aggressive. Without a doubt Madison’s biggest moment so far, ‘Boyshit’ quite literally sounds like storming through the football team with middle finger to both sides. A banger through and through.

HARD FEELINGS - Album by Julie Bergan | Spotify

JULIE BERGAN / WE’RE COMING UP

Both of the Hard Feelings EP finally get smashed together here in what results in an incredible second album for dance-pop queen Bergan. Leading the charge is completely illegible but enormous ‘We’re Coming Up’, another step in the perfect direction for an artist that already felt like taking big big strides. Quite honestly this ‘album’ opens with FIVE back-to-back 10/10 pop masterpieces. Who competes with that?

Kacey Musgraves and Mark Ronson Team Up with Troye Sivan for "Easy" Remix

TROYE SIVAN, KACEY MUSGRAVES, MARK RONSON / EASY

While it’s not immediately evident what Mark Ronson actually did here except add a few synths, ‘Easy’ was already so good that it didn’t really need to be messed with. Troye continues his path to actual gay pop icon by recruiting queer ally and queen Musgraves for this light and breezy remix. It’s a bit more robotic, a little less wistfully romantic, but Kacey sounds absolutely beautiful and anything that helps push the song a bit more is damn worth listening to.

GEORGE MAPLE / STONE

How hideously annoying that the best song on Maple’s brand new project and potentially one of her best songs ever is a measly 2 minutes long. ‘Stone’ features everything Maple does so well – towering vocals, spellbinding synths, the most haunting of bridges. There’s plenty more brilliance on the album, but ‘Stone’ is just goose bumps inducing.

Be sure to let us know what your highlights of the week were, including your favourite evermore tracks. ‘champagne problems’ is kind of the one right now.

May 17th, the best of NMF!

Here are our top five of this weeks NEW MUSIC FRIDAY:

SOFI DE LA TORRE / ESTAMOS MAL

Sofi has often spoke about the influence her Spanish origin has had on her music, though this will be her first official release not in English, but that isn’t to the detriment to the song. ‘Estamos Mal’ showcases Sofi’s unrivalled ability to craft melancholic and introspective songs with an urban edge, the sheer pain and heartbreak drifts through even before you translate the lyrics. ‘We are not well, we are wrong’ she chants again and again from the heart. It’s the most open and exciting she has felt in years.

ISA / CONVERSATION

Spotify is a crowded place for the pop girls of today, each one seemingly drawing from the same pool of inspiration; most are blonde, have artwork that slightly covers their face and don’t stretch too far from the synth-pop template. ‘Conversation’ doesn’t break the wheel, its verses are pretty standard fare, but it does do the smart thing where it matters – the chorus is a gorgeous nugget of a hook. If you’re going to give us something, give us a good chorus.

GRACEY / IF YOU LOVED ME

Gracey’s ‘Different Things’ made a fair few waves with its minimalist vocoder-heavy approach, in hindsight the track was the perfect introduction to a new artist. ‘If You Loved Me’ dials the pop-song knobs up considerably, with a chorus as instant as anything on either of Lorde’s albums. Cut from a similar cloth but much more accessible, it’s so refreshing to see smart decisions like this.

KAT DELUNA / LAST NIGHT IN MIAMI

Listen this deserves to be here because it’s an enormous bop that segues really well with ‘If You Loved Me’ (If you don’t believe me, try it and get back to me). ‘Last Night in Miami’ isn’t going to rocket Kat Deluna back into the charts any time soon, it’s basically the lead single J-Lo has been trying to secure for the last few years, but I’m not going to turn my nose up at a 2010’s club bop like this and neither should you.+

CHARLI XCX, LIZZO / BLAME IT ON YOUR LOVE

Admittedly this took a few listens for me to get over the fact we’d already heard this in the form of ‘Track 10’, but it’s a great change of pace for Charli while also sounding perfect to her sound. Outside of the mixtapes, her music hasn’t necessarily lent itself to their PC-Music inspired standard. ‘Blame It On Your Love’ sounds like the best chance for Charli to get a hit as ever, especially considering she’s added the current big thing Lizzo to the track. Her verse exists to give us respite before the last thirty seconds obliterate our skulls.

This week, make sure you also check out:

Mark Ronson, YEBBA with ‘Don’t Leave Me Lonely’. His album really is going to be one of the most exciting of the year isn’t it?

Janice ‘Hearts Will Bleed’ introduces a new sound for her, the chorus is as big as ever.

Four of Diamonds ‘Walk Away’ is the best girl band single I’ve heard in years. More All Saints than Little Mix, it’s a fantastic ballad.

Hatchie ‘Obsessed’ is her best song yet and should soundtrack every Netflix teen drama from now on please. Absolutely stunning.

Carly Rae Jepsen ‘Real Love’ is the best thing from her new album, but it’s all very similar. If you like it, check out the album!

April 12th, NMF!

P!NK, CASH CASH / CAN WE PRETEND

“‘Cause honestly reality, it bores me.”

During the release of Beautiful Trauma, P!nk lamented about recording too many songs for the album and having to shelve a majority in favor of its typical, Adult-Contemporary sound. Hurts 2B Human has to be approached with this context; an outlier to her typical discography, released at her commercial peak because it can be. ‘Can We Pretend’ was clearly inspired by the phenomenal ‘What About Us’ remix that surprisingly bothered the iTunes charts, and comes equipped with their trademark production and drop. It would have been gorgeous to hear the original song before the remix, but it’s nice to see P!nk trying something completely different. And it bops!

ELLIE GOULDING / SIXTEEN

“We held on with the best intent, just two kids who kicked it on MSN.”

Ellie Goulding utilised the now infamous vocal chop breakdown way before it was popularised, with the anthemic ‘Anything Could Happen’, and ‘Sixteen’ feels like a swift return mixed with Rita Ora’s ‘Anywhere’. The weighty and surprisingly fresh lyricism helps give it the edge, but it’s Ellie’s typical vocal that infuses it with some much-needed emotion. A tight balance between nostalgia and grief, ‘Sixteen’ only makes the mysterious upcoming album even more interesting.


SEEB, HIGHASAKITE / FREE TO GO

“Did it occur to you that I could be gone from you?”

Seeb is a name we haven’t heard from in a while, right? Luckily he’s recruited one of our current favourites, Highasakite, for a stunning slice of dreamy dance-pop. Great dance music knows how to translate emotion without excessive lyricism, and ‘Free to Go’ really doesn’t have to say much to translate its emotional weight; as the vocals soar and squeak, the synths feel just like the freedom being called out for. It’s dance music at its best.

HANNAH JANE LEWIS / NOT YOURS NEVER WAS

“Can’t remember but I think I kissed you first.”

If you can see past Hannah Jane Lewis having possibly the worst artist name of current times, you’ll actually find one of the most consistent pop artists of the past few years. ‘Not Yours Never Was’ heads her self-titled EP, and is a perfect introduction into HJL’s full-hearted pop sound. Like Ava Max, Betty Who, Nova Miller, Rita Ora – it’s a great heap of perfectly scooped, creamy and delicious vanilla ice cream.

MARK RONSON, LYKKE LI / LATE NIGHT FEELINGS

“I lay in silence, but silence talks.”

In a masterstroke of genius, Mark Ronson has recruited so sad, so sexy Lykke Li for the title track of his upcoming album. Her fragile and fragmented delivery is a perfect match for his self-described ‘retro sad banger’ approach. It gets particularly good at the end (of course) when the song slows right down, before slowly speeding right up – like a heartbeat gaining pace.

HEY VIOLET / BETTER BY MYSELF

“Maybe it’s the way you used me. Watered down my love, abused me…”

‘Better By Myself’ is a departure of sorts for Hey Violet, but it brings them closer in line with After Laughter-era Paramore. It’s a more complex and encapsulating sound, one that slowly unfolds as the three minutes tick over. A subtle earworm, it cleverly introduces new elements throughout before unveiling a positively dominating final chorus. If this is the sound they’re pursuing now, count. us. in.

NOW, NOW / ENDA

“I might hate myself in the morning, but I’d do it anyway.”

Now, Now are one of the greatest bands on the planet right now. If you haven’t already heard of them, you’re missing out and absolutely have to set aside time to do so now. Their sound pivoting around a HAIM-like folk-pop and a much sparser electronic vibe, ‘Enda’ twists the dial entirely to the latter. Listen, you’ll either love or despise this; it’s minimalistic and sparse with a noisy and abrasive ending, translating a melodramatic anguish as slow as they possibly can. It’s overwhelming and dark, an experimental introduction into what seems to be a much heavier approach to songwriting, one that we think shows the band is continuing to evolve. AND THAT’S SO EXCITING.

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