26th Feb, NMF!

It’s the most stacked week in months, with some Pikatunes and some bangers. Get into the highlights here with me.


With a thumping MUNA bassline and a stunningly clear melody running all the way through, ‘Pretending’ really is the best thing we can ask for until our favourite queer trio finally comes back. That rare blend of minimal and explosive, it’s a delicate tread through… just an onslaught of hooks. How clean and lovely.


There’s no escaping Amy Winehouse’s impact on British music as a whole, her music itself inspired by the very heart of classic soul music. ‘Last Love’ sounds so close to Winehouse’s debut that, on first listen, it threatens to overshadow the song as a whole. It isn’t just that drumline that’s reminiscent, but also the occasional way Harnett signs off individual words, but none of that would matter if the chorus didn’t stack up… and it does. Easily the best and most interesting thing she’s put her name to, let’s see where else the inspiration takes her.


Where once Slayyyter seemed content to a somewhat limiting niche style of release, that PC music affair that generates buzz but never seems to cross through, her latest releases seem to throw that aside by embracing her love of classic pop more exclusively. It’s, of course, the right decision. These are the best songs of Slayyyter’s career and it’s not just because of the minor sonic switch up into LIZ territory – her melodies are absolute perfection. This one in particular curls and curves in ways that you’d find on classic dance songs, giving it an instant satisfying edge. If there’s more to come like this, we could be in for one of the best albums in year?


The Lucy Spraggan style verses are going to make first impression here, and they’re just that side of cringe to turn off a few people, but keep with it because this is one of the biggest choruses of the year so far. That Sigrid style vocal fades away as that pounding synth and soft melody comes in and the song soars for it.


A Post Malone Pokemon crossover one of the highlights of the week? Absolutely. Post’s talent with creating some of the best melodies in pop music is underrated as it is, his trademark roboto-vibrato usually the focus over just how strong and classical some of his go to lines are, and here the song is just imbued with warmth and happiness because of it. Particularly here for that absolutely stunning Gameboy synth that rears it’s head momentarily at the beginning. This is the Spring is coming song for me.