A little late on this one, but trust me this week is worth it. Let’s dig into those highlights:
FICKLE FRIENDS / WHAT A TIME
If you know anything about Fickle Friends, you know they have already mastered the vanilla-sugar-high-Paramore production with sickly sweet chorus and chants. If you’ve seen them live, you know that whatever they front comes alive on the stage. ‘What a Time’ might not suit our current times (what’s there to be excited about right now!?) but it is their biggest and best song yet. Pure anthemic joy that pushes the envelope just enough whilst keeping it Fickle.
LUNA AURA / TALKING TO ME
Luna is back with a vision. She knows the music she wants to make, she knows her sound – Sky Ferreira meets Pretty Reckless pulled through Carrie. She’s completely wiped her Spotify for these delectable pageant-gore image focused singles, which is a complete serve, and each one is bleeding out guitar riffs, atmosphere and attitude. Truly fantastic stuff here.
LOVA / ONE DAY LEFT
Speaking of best songs ever, LOVA also fires back with a breezy dedication to spending your last moments without regret. An obvious sentiment but who cares when the chorus is that damn good? Notably moving away from the plink-plonk production that once seemed to define upcoming Swedish pop, this strings and falsetto affair is far more Agnes than Styrke – and is all the better for it.
DAGNY / IT’S ONLY A HEARTBREAK
Queen of Consistency Dagny seems to have picked up the plink-plonks that LOVA left behind, luckily enough she’s got the songwriting chops for it to push through regardless. It’s hard to understand why Dagny hasn’t been picked up as songwriter extraordinaire by the greats yet when her touch for melodic hooks is this good. Heading towards a much calmer second half EP to the eventual album, we’re in for a treat from here on out.
FOXES / FRIENDS IN THE CORNER
The girls really weren’t playing this week – each one said “I’m going to drop my best ever song” and meant it. ‘Friends…’ is Foxes’ best. It’s Foxes at her best; huge chanted chorus with piercing emotion, subtle chords and production, delicate vocal delivery. It’s both understated and defiant, owing to that enormous verse-chorus punch. Hard not to be bowled over by this one, truly, and if you haven’t by the second chorus you’ll be hit by that final bridge.
Find ALL of this weeks highlights in our dedicated playlist below: