New Music Friday: February 28th!

LADY GAGA / STUPID LOVE

What else is there to say about this totally new, never been heard before banger? Quite honestly when Gaga fires on all cylinders, there’s nothing like it. ‘Stupid Love’ might just be the best thing she’s put out since Born This Way and it marks a return to the sleeker off-kilter ARTPOP Gaga we’ve all missed since Bradley Cooper got a hold of her. Welcome back PopGa, we’ve missed you.

CHARLOTTE OC / FREEDOM

Charlotte OC was behind one of 2018’s best songs, the subtly brilliant ‘Satellite’ and then the similarly brilliant ‘Boyfriend’ and ‘Better Off On My Own’ landed in 2019 and there was momentary hope that a bloody good album was on the horizon. It never came and we’re in 2020. ‘Freedom’ is her best in a while, an instantly charming power-in-belief anthem that, as Charlotte OC songs tend to do, will worm into your brain and find a home in there. We might be burned but that hope for an album is still there.

LPX / NEW MOOD

Aggression can be so fucking cool, can’t it? LPX gets that, and ‘New Mood’ is dedicated entirely to the vibe. With abrasive guitars, Kate Nash speak-swearing, a throat-achingly screamed chorus, it’s a literal catharsis.

SONIKKU, LIZ / WKND

I haven’t been this surprised by a song in quite a while, and speechless too. ‘WKND’ manages to make me feel things that I can’t even voice so I’ll just list them; Classic. Pop. Madonna. Borderline. Britney Spears. KPop. PCMusic. Sega MegaDrive. Dreamcast. Amazing.

JOE STONE, CAMDEN COX / MIND CONTROL

Now ‘WKND’ has decimated by brain cells with its time travelling ways, ‘Mind Control’ helps cement me back in reality. And it’s a sticky dancefloor at 11PM with a Bacardi Coke in my hand. Camden Cox is one to watch if you haven’t been already because basically amazing songs seem to flock around her in the form of her own and collaborations. Gorgeous dance music made for the club and the gym floor, with vocals that keep the emotion pounding through. What’s not to like?

What were your highlights of the week?

New Music Friday: 24th January!

Well, it’s one or the other this week; ballads or bops. Bangers or bores. A distinct 70-bpm difference. At what point do we think the year starts to evolve its own taste? Does it take a world-shifting popstar like Eilish, or is it a more subtle move? Well, right now it’s a depressing January and if that’s anything to go by, 2020 will be a difficult one. With that in mind, let’s crash into the good ones;

Hey, check it out. Not a complete shadow of a band coming out of nowhere to drop a Calvin Harris song that’s better than the actual Calvin Harris song that dropped this week. COY‘s ‘Promises’ is an absolute riot. Nostalgic synths, thumping bass, siren-esque female vocals, check, check, check.

Emmi Elliott certainly isn’t going to win points for artwork. One look at that and I’m expecting Irish Folk akin to Una Healy, consider my surprise when a glittery banger comes through the speakers instead. It’s basically that huge anonymous Spotify generated pop song that we all know with a fabulous chorus.

Zara Larsson just needs to get into buying these kind of bops, doesn’t she? Well, Dua Lipa started with songs as huge as this and she’s now a world conquering popstar so there’s always time for Clara. ‘Thank Me Later’ is a trip back a few years to the simpler pop of ‘Last Dance’ and ‘Teenage Dream’, and there’s always room for that.

Every now and then an artist comes along with such an individual character and so much promise that it gets so frustrating to see it not translating to mainstream success. L Devine is one of those artists. Positively brimming with potential, she already has a strong as hell discography and the imagery down too. ‘Boring People’, like ‘Peachy Keen’ before it, appears to be trying to rectify that. Palatable without sacrificing her resolve, it’s how samples are supposed to work. Shine through them!

WELL. SHE’S HERE. Arguably one of the strongest vocalists of our generation, Hayley Williams has been in the public eye for a number of years as part of Paramore. Now she’s going alone, as many have wished for a long time, and it’s not too far from what we’ve come to expect of the band. Clearly influenced by Eilish, it’s surprisingly succinct and delicate, which makes her whole solo move MORE exciting because god damn, that voice can do wonders, which peaks through for just a moment with the fabulous “Nothing cuts like a Mother.”

More, more, more below. Check them out:

July 19th, NMF!

Here are the best five tracks of this wonderful New Music Friday:

SAM SMITH / HOW DO YOU SLEEP?

Did I really expect a Sam Smith song to be my favourite of the week? When typically his songs would be reserved for insomnia drenched nights, ‘How Do You Sleep?’ is an exciting evolution of a newly expressive artist. The video, which is great, is an overt celebration of his queerness and I can’t help but be ecstatic watching Sam’s slow revelation that his queerness does not need to be hidden anymore. What’s best is that, even if this does have a high pitched trap-drop, this doesn’t sound a single step out of place? It’s effortlessly cool, an utter slow jam that we think is going to be huge.

SOFI DE LA TORRE / PERO NO

‘Pero No’ follows ‘Estamos Mal’ in reestablishing Sofi with her Spanish roots, continuing to showcase her exceptional songwriting skill in her native tongue. Now I’m not a fluent speaker, but that doesn’t stop me positively soaking in everything here – it’s succulent and warm, a melancholic and yet blissful summer bop thanks to her typical emotionally charged vocals. Again this is Sofi excelling at what she knows and is very good at.

CHARLOTTE LAWRENCE / WHY DO YOU LOVE ME?

With Billie Eilish on the way to being the next big thing, it was only a matter of time before someone starting to draw inspiration from her very unique sound. ‘Why Do You Love Me’ is going to be the first of many, and it’s so similar to something Billie would put out that it’s almost disturbing. The ASMR vocals, the plinky bass, the slightly demented chorus – it’s ALL here. I almost admire the sheer change in sound to this from everything before to be honest!

CHLOE MK / DAVID BOWIE

Immediately the title evokes Gaga and 80s driven pop music, and luckily the sonic build of the song does little to subvert that. Chloe has seemingly came from almost nowhere with perfectly crafted 00’s pop songs that remind me of the golden days of Gaga and the collection of stars, such as Natalia Kills, that followed her meteoric rise. ‘David Bowie’ is subtle and immaculate, doubling as a love song and a tragedy, and immediately sets Chloe apart from the other girls on the scene right now with its dedication and coolness. In a world of Ava Max’s, be a Chloe MK.

CHARLI XCX, CHRISTINE AND THE QUEENS / GONE

Consider this a somewhat muted celebration of the new Charli XCX song, because we all know the type of electro-pop that she is capable of by now and unfortunately ‘Gone’ brings little new to the table. Nothing necessarily wrong with that, but I have heard Charli XCX do this song a few times before and for that it loses an initial spark. WITH that aside, it’s a hook driven distillment of everything Charli has come to represent, and Christine stops in for a quick vocal too. I’d never noticed how similar they could sound before, but it’s certainly obvious here.

June 7th, NMF!

Last week delivered one of the best new music friday’s in years, so naturally the week after would have a lot to live up to. Luckily there’s one or two songs that manage to hit like a meteor, let’s check them out:

MUNA / NUMBER ONE FAN

Two years on from one of the most realised debut albums of all time, MUNA return with the shockingly confident ‘Number One Fan’ – an anthem dedicated to learning to love yourself in the face of negative internal energies. Gone is the overtly dramatic aesthetic and gloom in place of a hyper realised 90s glam-dream and a much, much lighter vibe. Coupled with one of the best music videos I’ve seen in a long time, ‘Number One Fan’ brings MUNA right back into the fold as one of the most exciting and important bands on the planet right now.

KIIARA / OPEN MY MOUTH

Typically a Kiiara song will instill a sense of icy cool, opting to present her pop star quality as out-of-reach and slightly Madonna-esque in its ubiquity. There’s a distinct anonymity to her, like a lot of Spotify girls, but also a distinct coolness that comes with owning her own sound (much like Billie Eilish). ‘Open My Mouth’ does away with that a little to present a much warmer island-influenced bop, slowly peeling away the artist known as Kiiara. It still has her trademark vocal chop, but the production suggests a very welcome progression.†

SWIMMING GIRLS / I DON’T WANNA GET TO HEAVEN

The revival of the 80s continues with Swimming Girls new track, complete with guitar riff that would play out as the credits roll of every cult indie film of that era. It’s a deadly song that will find its way into your head without you realising, perfect for sunset drives and every heartbreak fuelled getaway.

CHARLOTTE / SOMEBODY TO HOLD

‘Somebody to Hold’ starts out deceptively simple; it’s one of those songs that unfurl through multiple plays, as you dissect the lyricism and find your own pieces of the puzzle inside. Ultimately it’s a stunning ballad of longing that elevates itself with a stunning gospel choir, introducing soul aspects that makes me really excited for Charlotte’s sound. By the third minute, I’m fully prepared and waiting for an entire album of this exact template.

SABRINA CARPENTER / IN MY BED

Being part of the Disney alumni can be seen as somewhat of a curse or a blessing, either way it immediately implies a certain expectation. Sabrina’s brilliant EP, Singular, last year showed exactly why she shouldn’t be written off as another simple Disney character and ‘In My Bed’, taking from the second parter, drives the nail in deeper. Stunning art direction aside, the song is a perfectly crafted earworm which evokes Ariana Grande to a scary degree in parts but showcases a confident character in its own right. Sabrina is polished and ready to show herself as herself, and that’s EXCITING.

Be sure to follow the Eyes On New Music Friday playlist, which is updated weekly with every track worth listening to. This week is a much slower affair, so grab your earphones and prepare to mellow out:

May 24th, NMF!

Before I get into the best new drops this week, make sure that you’re following the dedicated Eyes On New Music Friday playlist so that you don’t miss a single song. I do the hard work so you don’t have to.

Here are the very best of the best this week!

JESS GLYNNE, JAX JONES / ONE TOUCH

Prepare to hear this in every leisure center around the country because I’m not sure there’s been such an obvious summer hit since ‘One Kiss’. As usual with Jess, it isn’t trying to break the wheel – it’s more preoccupied with being the best feel-good banger it can be, and it certainly fits the bill. It’s basically a Jess Glynne song that Jax Jones helped POP OFF a bit, and it really pops off.

ORKID / MELODRAMA

The opening to this almost made me crash my car, the glorious 00s horns a perfect introduction for a song this full of bravado. ORKID has dropped songs of varying quality over the past year, but ‘Melodrama’ is without a doubt the most interesting yet. The unforgettable bass line carries the momentum here, but ORKID smartly coos around it to give it more complexity and depth. I could have done with the final chorus really throwing in the entire kitchen sink but it’s addictive enough.

CYN / HOLY ROLLER

‘Holy Roller’ kind of tries to do exactly what ‘Melodrama’ does in presenting Cyn, whose voice comes across as slightly whimsical and innocent, with a bratty attitude. Her real strength is in that juxtaposition, the song is an amalgamation of sexual lyricism, whistles and a straight edge vocal – it’s addictive and interesting from the off. She has definitely found her sound.

ALICE GRAY / HELL WITH YOU

“I kind of like living in Hell with you” Alice sings softly. It’s one hell of an introduction: unveiling a dark and addictive relationship with one opening line. Starting off as dreamlike and wistful before slowly unraveling the crunchy synths and further production, it’s addictive in its quiet delicateness. It’s as intimate a ballad as you’re going to find this week.

CHARLOTTE OC / BETTER OFF ON MY OWN

It’s easy to imagine Adele taking this, performing it on several award shows and watching it catapult to the top of the charts around the country. With an undeniable hammer of a chorus, it helps that Charlotte has one of the characterful voices of the current pop scene. I’m going to need an album NOW.

BONUS SONG:
SIGALA, BECKY HILL / WISH YOU WELL

‘Wish You Well’ is the signal fire that we’re approaching Summer here in the UK, and just as the sweaty bodies of pasty men fill our streets, as the ice cream men don their uniforms and take to the road, Sigala and other anonymous DJs will be prepared to drop everything they have. What else do you think they’ve been doing through the winter? Anyway ‘Wish You Well’ is a dance banger that does what I’ve been begging for for years and it goes full on Trance for the most part. Brilliant. No that’s not Anne-Marie, it’s Becky Hill.