Music

2nd August, NMF!

August kicks off with a bang as the delightful Alice Chater returns with a dance banger, Carly Rae and Kiesza sign themselves up to features that are actually good and Ava Max double dropped suprisingly adequate pop songs despite a whole new upcoming single campaign. Here’s our best of the best:

Vocally Alice Chater is at that infamous Jessie J level of overwhelmingly competent, though our blonde diva in waiting is somewhat of a triple threat – glorious tunes, impeccable dancing skill and a towering voice. ‘Tonight’ follows in the footsteps of ‘Thief’, a somewhat anonymous megabop that sounds dangerously similar to ‘One Last Time’, in establishing Alice’s pop persona. You’d think talent was enough but we also need the songs.

I’m not quite sure whether ‘Tonight’ is that song just yet, but it’s the first time we’re glimpsing Alice Chater away from the samples and similar sounding sonic palettes. At times it really does sound like a remix, with the verses clearly missing something, but 1. crucially the chorus is huge enough for that not to matter 2. The music video, available here, is a total 10/10 blast (as are all of her music videos for that matter) and 3. the middle-8 is otherworldly. Honestly I almost crashed my car this morning when she came Ooooooooh-ing through the speakers.

Carly Rae has been a bit of an enigma this year, firstly for following one of the greatest and most refined pop albums of all time with a disappointing and a somewhat half-baked return, mostly because it kind of feels like her interest in her own sound has stagnated somewhat. It’s back to square one, and she’s jumped on a feature with the very underrated Gryffin – now you only have to look at the artwork and you know how this is going to go, but it does subvert the drop with a gorgeous horn/synth mix solo that suits Carly’s voice perfectly. It’s a kind of tiny moment of wonder that I hope inspires Carly going forward. Production aside, this is essentially a Carly song – so it’s not too farfetched to imagine a world in which she embraces this a little.

I hear sounds in the hallway, rocking chairs are moving on their own” Ava croons softly in what sounds like a misplaced Halloween reference. Ava Max is fairly easy to understand, her persona has been crafted that way, and thus ‘Freaking Me Out’ isn’t aiming to surprise as much as appease the listener. It does manage to have these small surprising moments of glory throughout though, imbuing it with character, like the ‘du du du’ middle eight section (complete with flutes!) that comes and goes within seconds. As long as she keeps this little surprises up, she’s good.

As a total sucker for emotional dramas and teen-flicks, 13 Reasons Why is the biggest guilty pleasure I’m happy to admit to. ‘fuck, i’m lonely’ sees rising star Lauv team up with Anne-Marie in a stunningly intimate duet about loneliness and the refusal to get over someone. Admittedly a worn topic, particularly when you think about the other party who is receiving these endless calls, but smartly coupling with 13 Reasons Why – which deals with teen angst and suicide, amongst a breadth of other things – gives it the extra dimension it needs. Lauv is doing a storming job right now openly exploring feelings in his music, which is not easy for males in the media right now, and ‘fuck, i’m lonely’ is another string to that bow.

Mabel’s album, High Expectations, is out now and ‘Put Your Name On It’ is easily the best thing from it that hasn’t already been released. Whilst she’s been at the helm of quite a handful of big hits now, most notably the recent ‘Don’t Call Me Up’, it has taken this long to put out a piece of work. ‘Put Your Name On It’ recalls her features (‘Ring Ring’, ‘Fine Line’) but showcasing her charismatic ability to command it by herself. It definitely seems as though she’s being lined up to be the next Dua Lipa, and frankly she has the material to match, so hopefully this is her ‘New Rules’.

There’s plenty more to listen to this month, as always it’s documented in our weekly ‘Eyes On…’ playlist here:

Give it a follow and make sure to tell us what songs you’re enjoying this month!

Eyes On…

Music

May 31st, NMF!

Is this… Is this the greatest New Music Friday of all time? This is the time to grab a coffee, plug your earphones in and dedicate a good hour to this plethora of amazing pop songs. 2019 has never sounded better.

KATY PERRY / NEVER REALLY OVER

Returning with a point to prove, Perry really came back with her best lead single yet. Sampling Dagny’s equally amazing ‘Love You Like That’, there’s no other pop girl that has their finger on the pulse quite like Katy. ‘Never Really Over’ is absolutely exhilarating from start to finish; a total revolution of her Teenage Dream sound with the much-sought Swedish touch and a prechorus that SWELLS like an ocean into a chorus of relentless wordplay, leaving you literally gasping for breath. ‘Never Really Over’ is the sound of Katy Perry laughing at everyone who really though Witness was the nail in her coffin – it really is never over.

SASHA SLOAN / THOUGHTS

‘Thoughts’ is a brutal exercise in trepanation: the sound of Sasha Sloan drilling deep holes into her skull and allowing us to watch the demons that crawl out. She’s been somewhat of a revelation for songwriting over the past year or two: tackling her own mental health and severe self-doubt with a fearless optimism. But even beyond the piercing lyricism, ‘Thoughts’ stews in its stunning and minimal production to create a melancholic mid-tempo masterpiece.

LAUV / SAD FOREVER

‘Sad Forever’ takes similar cues to ‘Thoughts’, and it’s always great to see male artists exploring emotions we are told culturally to repress. Sonically it’s very familiar to ‘i’m so tired’ which is unsurprising considering it was both fantastic and a minor hit. I do wish the high squeak of the guitar string was phased out slightly, but nitpicking aside it’s built to be stuck in your head for days. “I don’t want to be medicated” he sings, exploring the use of antidepressants to keep us happy. It’s a much needed insight into problems so many are facing now, hidden deep inside of a bop. Great!

INGRID MICHAELSON / JEALOUS

You may or may not know Ingrid Michaelson already, but none of that really matters because ‘Jealous’ sounds like the debut of a whole new artist – one of those upcoming Spotify girls that have been in label purgatory for years slowly working on her craft. ‘Jealous’ sounds like the hit Julia Michaels has been searching for since ‘Issues’. A perfect blend of electro-pop and her traditional songwriter self… considering her last album was a collection of Christmas covers, and it has been three years since an original, consider me both surprised and elated.

CHERYL / LET YOU

There are half a dozen versions of this out already; the demo, two remixes and an orchestral version. Luckily the single version is the best of the lot, the highlight being its ecstatic Carly Rae production in contrast to an incredibly sleepy vocal. Cheryl’s real star power comes in her performances, and I can already envision the fantastic dance break she’ll hammer into that middle-8.

XYLO / YES & NO

‘yes & no’ was the big surprise this week, holding its own amongst some real heavy hitters – think Julia Michaels on a depressing acid trip and you’re halfway there. The sultry and sedated vocal giving off a positively creepy vibe alongside phenomenal production that would sound right at home on a horror video game or two.

I could sit and write about these songs all day, it really is the best New Music Friday you’ll find in a long time. Make sure to check out the rest or you’ll be missing out on some huge bangers.