October 30th, NMF!

Halloween is almost upon us, and a distinct lack of spooky tracks for this weeks highlights of horror. That being said, there’s still a few gems, including a new amazing from the big Lipa. Get into it.

Dua Lipa and Angèle Share New Song “Fever”: Listen | Pitchfork

DUA LIPA, ANGELE / FEVER

Ms. Lipa teams up with french chanteuse Angele to create another health conscious anthem on behalf of scientists around the globe. Is it a fever, or are you making me hot under the collar? Covid or Lust? Who knows? I cannot advocate for kissing and touching as a means of testing this, you’re much better off buying a thermometer, but best not to play this while you do because it’s a sweaty banger – a dead cert to boost that body temp.

Sad Songs by Route 94 feat L Devine on MP3, WAV, FLAC, AIFF & ALAC at Juno  Download

ROUTE 94, L DEVINE / SAD SONGS

You’ll know Route 94 for the unavoidable Jess Glynne epic ‘My Love’, released way back when in 2014. With little in the way of repeat success since, Route 94 has recruited little superstar in waiting Devine for what is easily the best Not-Actually-Clean-Bandit-Clean-Bandit effort in years. Certainly not reinventing the wheel, as is to be expected, but the little flourishes of untouched Final Fantasy-lite piano touches and Devine’s genuinely fantastic delivery make this as fresh as new Spring rain.

HANA – So & So Lyrics | Genius Lyrics

HANA / SO & SO

Grimes Protégé and general fantastic-when-she-actually-releases superstarlet HANA soars back with a song that legitimately sounds like it’s been pulled from the bottom of the ocean with three inch thick steel chains. Basically Evanescence’s ‘Lithium’ on a much sparser, bleached scale with blips where the big rock guitars would be, ‘So & So’ is an interesting choice to come back with but is an exciting glimpse into the creation of, hopefully, a whole new exciting world from HANA soon to come.

empress-of-youve-got-to-feel-amber-mark-1603824388

EMPRESS OF, AMBER MARK / YOU’VE GOT TO FEEL

The real shining glory behind Empress Of this year has been her stellar production efforts – her album, ‘I’m Your Empress Of’ was positively reeling with uniquely brilliant quirks and choices. ‘You’ve Got to Feel’ is a simple protest song that manages to feel even more because of those stellar choices. With an even greater choice of feature, which actually steals the entire song, it’s just a god damn addictive song right from the offset – even before the message sinks its teeth in.

LÉON - Apart | Album Review

LEON / DIE FOR YOU

As always with Leon, make sure you’re plugged in and truly ready for this in all of its intimate glory – it deserves no less. Pure, classic, solid songwriting delivered by the voice of an angel, ‘Die For You’ comes from her sophomore album, which we already know won’t get the acclaim and recognition it actually deserves, and it just explodes with heart.

What were your highlights of the week?

8th November, NMF!

What initially seemed a weakish week has already started to open up to me, with some major subtle hits hidden among the rough. The highlights are highlights because of how well they hit on first listen but don’t discredit the rest of the list, there’s some real gems this week.

POPPY / BLOODMONEY

Poppy’s rapid evolution has been an absolute sight to watch, despite the harshness always being a key product in her music, there’s a real new pounding angst and rebellion that you’d expect from The Pretty Reckless. It fits better than it really ought to, and what might come off as pretentious for anyone else (a whisper-talk section about losing your soul) just kind of… fits in this chaotic landscape? There’s also the fact her voice often evokes classic Avril Lavigne, and it leans into that pop styling just as much as the harsh rock. Fearless and FAB.

HANA / ANXIOUS ALIEN

Rather brilliantly, HANA produced her entire new album in a Twitch Livestream over one month. The real kicker though is that the album is damn good, sounding as expansive as a full campaign led-album. ‘Anxious Alien’ feels like the perfect evolution for HANA, with similar vibes to Skott, in all of its Alisha’s Attic glory. With such a sparse and repetitive drum beat, you really need the melody to shine and it does.

IGGY AZALEA, ALICE CHATER / LOLA

Powerhouse vocalist Alice teams up with creative genius Iggy for this ‘I Like It’-inspired-party anthem. Admittedly it’s the video which makes this shine the most, which might be both parties best yet, but at the heart of it there’s a really fun pop song that sounds like the biggest chance of a hit Iggy has had in years. Switching from Alice’s dreamy vocals to Iggy’s industrial rapping style, it’s almost impossible not to be drawn in.

ROSALIA / A PALE

Well, the award for causing the greatest whiplash of the week goes to ‘A Pal lé’, a snarling anthem that is easily her best yet. Transcending the language barrier with an addictive bassline, Rosalia commands the entire room. With her name slowly becoming renowned around the world, each song racking up millions of streams, its hard to deny the power this song clearly has. It’s Rihanna meets Billie Eilish but also with her own distinct vibe, a vibe I need MORE of.

CAMELPHAT, JEM COOKE / RABBIT HOLE

‘Rabbit Hole’ fits here not because it’s a brilliant trance-dance song, but because there are parts in which Jem Cooke sounds exactly like Adele, that trademark inflection on certain parts of a word. It’s got me wondering about the kind of thing Adele could do would she ever choose to release something with a bit of a bite again, or even package out some remixes too. It’s easy enough to get lost in this gorgeous beat, but its the vocal that really takes it to the next level. Do give us something like this, Adele. If Sam Smith can do it, so can you.

SONIA / I DON’T KNOW

This had me at the Sting guitar intro, and it just had to prove itself from there. Luckily Sonia is kind of proving herself as some kind of minimal prodigy, her songs intimate and affecting, and ‘I Don’t Know’ is her best yet. At some point you do need a spark, but for now these brain-drilling epics are tingling my spine, instilling a real interest in what she continues to do. It’s that last closing minute, where it gets really stripped back, that brings it to where it needs to be, the guitar shifting into a stunning R&B-esque refrain, and suddenly I’m repeating just to hear the song all over again.

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