4th September, New Music Friday!

A little late on this one, but trust me this week is worth it. Let’s dig into those highlights:

Fickle Friends – What A Time Lyrics | Genius Lyrics

FICKLE FRIENDS / WHAT A TIME

If you know anything about Fickle Friends, you know they have already mastered the vanilla-sugar-high-Paramore production with sickly sweet chorus and chants. If you’ve seen them live, you know that whatever they front comes alive on the stage. ‘What a Time’ might not suit our current times (what’s there to be excited about right now!?) but it is their biggest and best song yet. Pure anthemic joy that pushes the envelope just enough whilst keeping it Fickle.

TALKING TO ME [Explicit]

LUNA AURA / TALKING TO ME

Luna is back with a vision. She knows the music she wants to make, she knows her sound – Sky Ferreira meets Pretty Reckless pulled through Carrie. She’s completely wiped her Spotify for these delectable pageant-gore image focused singles, which is a complete serve, and each one is bleeding out guitar riffs, atmosphere and attitude. Truly fantastic stuff here.

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LOVA / ONE DAY LEFT

Speaking of best songs ever, LOVA also fires back with a breezy dedication to spending your last moments without regret. An obvious sentiment but who cares when the chorus is that damn good? Notably moving away from the plink-plonk production that once seemed to define upcoming Swedish pop, this strings and falsetto affair is far more Agnes than Styrke – and is all the better for it.

It's Only A Heartbreak by Dagny on Amazon Music - Amazon.co.uk

DAGNY / IT’S ONLY A HEARTBREAK

Queen of Consistency Dagny seems to have picked up the plink-plonks that LOVA left behind, luckily enough she’s got the songwriting chops for it to push through regardless. It’s hard to understand why Dagny hasn’t been picked up as songwriter extraordinaire by the greats yet when her touch for melodic hooks is this good. Heading towards a much calmer second half EP to the eventual album, we’re in for a treat from here on out.

Single Review: Foxes – Friends In The Corner | A Bit Of Pop Music

FOXES / FRIENDS IN THE CORNER

The girls really weren’t playing this week – each one said “I’m going to drop my best ever song” and meant it. ‘Friends…’ is Foxes’ best. It’s Foxes at her best; huge chanted chorus with piercing emotion, subtle chords and production, delicate vocal delivery. It’s both understated and defiant, owing to that enormous verse-chorus punch. Hard not to be bowled over by this one, truly, and if you haven’t by the second chorus you’ll be hit by that final bridge.

Find ALL of this weeks highlights in our dedicated playlist below:

August 28th, NMF!

DOWNLOAD ALBUM: Katy Perry – Smile

KATY PERRY / CRY ABOUT IT LATER

Frankly I can’t begin this without addressing the reviews Katy’s new album has been getting across the board. Each seem to have a problem with her mere existence and her insistence on releasing empowering music in a pandemic (something only she seems to deserve the criticism for). Screw the reviews, ignore them, because the album is a total triumph and possibly her best yet. ‘Cry About It Later’ brings masterful songwriters Sasha Sloan and Noonie Bao on board, and the result is a pulsing anthem to letting go of the pain for at least one night. With that sparkling pop-polish that we’ve come to know Katy for, it really is a triumph.

LUNA SHADOWS / THE NINETIES

‘The Nineties’ soars in part because of its dedicated video-game identity and production, which is still relatively fresh with its Allie-X/Terror Jr style melody and slinky synthline, but it’s the earworm of a chorus that takes this up a notch. Some songs just don’t need to explode.

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DISCLOSURE, KELIS / WATCH YOUR STEP

Kelis as a vocalist does not garner the praise she deserves, perhaps because of a career overshadowed at times by the fine gimmickry of ‘Milkshake’. Here she flits from smooth to raspy, a perfect fit for the more subdued production, and really Kelis was built for dance music. Helped too by Disclosure’s evolved touch – there’s an unexpected depth to this that takes you right back to the dirty dance floor.

Download MP3: Sasha Sloan — House with No Mirrors | by Simondominique |  Aug, 2020 | Medium

SASHA SLOAN / HOUSE WITH NO MIRRORS

Not content with having one song on the list with her efforts involved, Sloan surprise dropped the next single from her debut album and it’s that exact kind of introspective and cut-throat mid-tempo we’ve gotten used to with her by now. Inspired by her eating disorder developments and her dysmorphia, it’s a delicate undertaking of how much of an impact our thoughts can have on us. It’s pretty damn easy to see why people are snapping Sloan songs up left and right recently.

Katy Perry - Resilient - 9jaballers.site

KATY PERRY / TEARY EYES

Yes, Perry deserves a second treatment here. ‘Teary Eyes’ is that exact frothy sequel to ‘Hummingbird Heartbeat’ and ‘Walking on Air’ we’ve been calling for. There really isn’t anything quite like it, and it’s hard not to swept up in its relentlessness, especially as that final chorus fires in. As above, there’s completely void criticism that Perry is trying to be overly happy in a dark time but if not now, when? Trust me, get those headphones on and let yourself float away to this sherbet-filled mega banger.

That’s it for our highlights, but remember that you can catch all the rest on our dedicated playlist below!

August 21st, NMF!

This week is huge. It is enormous. One of the best of the year, hands down. An eclectic mix of dance synth emotive bangery, get into the highlights!

GRANT släpper andra singeln 'Hell Yes, I'm Betting On You' från ...

GRANT / HELL YES, I’M BETTING ON YOU

Not only is this the best song of the week, it’s also one of the best of the year so far. Reminiscent of Katy B with that icy vocal on a subtle dance beat, its hard to fight the sheer amount of coolness coming out of this. It’s ‘About Work the Dancefloor’s edgier little sister, give it a stream NOW.

Agnes shares disco-inspired new single "Fingers Crossed" | Best Fit

AGNES / FINGERS CROSSED

For a while it seemed as though Agnes had deserted all of us, with no sign of her for years. Of course last year gave us her stratospheric return in the form of dance-bangers ‘Limelight’ and ‘I Trance’, but ‘Fingers Crossed’ is that string filled instant classic we feared she had walked away from. Quite honestly one of the best vocalists in the world right now and stil we get experimentation. Agnes is one of the greats.

Vera Blue, Lie To Me (Single) in High-Resolution Audio ...

VERA BLUE / LIE TO ME

‘Lie to Me’ doesn’t stray far from the Vera Blue sound established on her debut album ‘Perennial’, especially compared to the preceding singles ‘The Way That You Love Me’ and ‘Like I Remember You’, and its all the better for it. Now it does feel as though Blue found herself torn between two forms of artistry at one point, ‘Lie…’ treads a fine line between the commercial and more nuanced melodies. Glittering in all the right places with enough depth to sink into, this better be heading toward a sophomore.

DANNY L HARLE / DREAMING

Danny L Harle is a producer for the Gods, let’s get that clear. One day we’ll give PC Music the credit it deserves for championing the quirkiest and ‘cheapest’ pop music of our time. Because who gets to decide what’s cheap and what’s cool? ‘Dreaming’ takes those PC Music icy beats and collides with classic trance, the dreamlike vocal carrying us right into a frankly beastly breakdown.

DOWNLOAD EP: Troye Sivan – In A Dream (ZIP) | Mp3TopHits

TROYE SIVAN / IN A DREAM

The lockdown has seemingly given Troye the opportunity to showcase his artistry in all the best ways – no overt polish, no refined edges, just Troye. ‘IN A DREAM’ is a beautiful mix between his huge pop melodies and those softer moments of ‘Bloom’, even if it is a tad too similar to a certain Allie X song for her not to have a credit…

For some reason Spotify embed is being awful so we are featuring the beautiful artworks instead. That’s it for our main highlights but as always, there’s plenty more to find in our weekly playlist which can be found here:

15th November, NMF!

What a stellar week. Something about the cold of winter imbues the subtlest of melodies with melancholy, and I’m here for it. BUT don’t fear, there’s also a few classic bops here to keep you warm too.

BILLIE EILISH / EVERYTHING I WANTED

You would be forgiven for assuming this is going to be more of what took Billie to the top, namely the bravado filled stomper that is ‘Bad Guy’, but you’ll be taken aback when you see it’s much more akin to her delicately devastating moments like ‘Lovely’ and ‘I Love You’. There’s a deep melancholy to the delivery and lyricism, admitting dreaming about her own suicide, even with the uplifting chorus. It’s a masterclass in less-is-more with captivating flourishes in the production, underlining what is a gorgeous ballad with a proper beating heart. Lovely.

LIZ / INTUITION

I’m almost aghast at just how much influence Liz is prepared to instill through her recent output, each one sounding further placed in time than the last, and ‘Intuition’ is just… well, it’s spellbinding. Quite honestly I’m prepared for her to not receive the acclaim she deserves but for this sound to slowly creep its way into the mainstream anyway. Ride that wave, Liz. We’ll remember you at the fore-front with Rina.

HAYLEY KIYOKO / L.O.V.E. ME

Another song that relishes in a classic sound this week is the toe-tapping ‘L.O.V.E Me’, sounding like a lost boy-band classic number one. It’s easily one of Kiyoko’s best efforts yet and also probably her most immediate, packed full of incredible hooks that, I’m hoping, will draw in listeners from everywhere and every age. It’s the kind of song you can imagine Little Mix snapping up with a heartbeat, but Kiyoko is center stage and imbuing it with everything it needs.

GRIFF / SOUND OF YOUR VOICE

Who knew one of the best songs of the week would invoke such strong memories of Super Mario in me? It’s those delicious little vocal snippets, the production sounded like some sort of Gameboy Advance jingle. It’s addictive enough as it is, then you’ve got such a great vocal delivery and one of the best choruses of the year so far. By the end of the three minutes I’m practically bouncing on the ball of my feet like Mario bopping his head into a question block.

ELLEY DUHE / GOOD DIE YOUNG

Elley Duhe has been my one to watch for a while, and I’m a total sucker for any moody and brooding bass-synth driven mid-tempo as it is, so how lucky am I that Elley has produced something that practically perfects that? Nobody quite sings like Elley, some gorgeous blend of Ellie Goulding and Sia, and she uses it to great effect with haunting belts and ad-libs. It also helps that this reminds me of So Below’s recent output, perfect for the dark and rainy nights, and I’m already making another playlist just for that now.

July 19th, NMF!

Here are the best five tracks of this wonderful New Music Friday:

SAM SMITH / HOW DO YOU SLEEP?

Did I really expect a Sam Smith song to be my favourite of the week? When typically his songs would be reserved for insomnia drenched nights, ‘How Do You Sleep?’ is an exciting evolution of a newly expressive artist. The video, which is great, is an overt celebration of his queerness and I can’t help but be ecstatic watching Sam’s slow revelation that his queerness does not need to be hidden anymore. What’s best is that, even if this does have a high pitched trap-drop, this doesn’t sound a single step out of place? It’s effortlessly cool, an utter slow jam that we think is going to be huge.

SOFI DE LA TORRE / PERO NO

‘Pero No’ follows ‘Estamos Mal’ in reestablishing Sofi with her Spanish roots, continuing to showcase her exceptional songwriting skill in her native tongue. Now I’m not a fluent speaker, but that doesn’t stop me positively soaking in everything here – it’s succulent and warm, a melancholic and yet blissful summer bop thanks to her typical emotionally charged vocals. Again this is Sofi excelling at what she knows and is very good at.

CHARLOTTE LAWRENCE / WHY DO YOU LOVE ME?

With Billie Eilish on the way to being the next big thing, it was only a matter of time before someone starting to draw inspiration from her very unique sound. ‘Why Do You Love Me’ is going to be the first of many, and it’s so similar to something Billie would put out that it’s almost disturbing. The ASMR vocals, the plinky bass, the slightly demented chorus – it’s ALL here. I almost admire the sheer change in sound to this from everything before to be honest!

CHLOE MK / DAVID BOWIE

Immediately the title evokes Gaga and 80s driven pop music, and luckily the sonic build of the song does little to subvert that. Chloe has seemingly came from almost nowhere with perfectly crafted 00’s pop songs that remind me of the golden days of Gaga and the collection of stars, such as Natalia Kills, that followed her meteoric rise. ‘David Bowie’ is subtle and immaculate, doubling as a love song and a tragedy, and immediately sets Chloe apart from the other girls on the scene right now with its dedication and coolness. In a world of Ava Max’s, be a Chloe MK.

CHARLI XCX, CHRISTINE AND THE QUEENS / GONE

Consider this a somewhat muted celebration of the new Charli XCX song, because we all know the type of electro-pop that she is capable of by now and unfortunately ‘Gone’ brings little new to the table. Nothing necessarily wrong with that, but I have heard Charli XCX do this song a few times before and for that it loses an initial spark. WITH that aside, it’s a hook driven distillment of everything Charli has come to represent, and Christine stops in for a quick vocal too. I’d never noticed how similar they could sound before, but it’s certainly obvious here.