4th December, NMF!

A rather quiet and sombre week for releases this time around as we sweep into the colder months. Get yourself a cup of coffee and tuck into these delights.

Flawes | Reverie

FLAWES / WHAT’S A BOY TO DO

Gorgeous British pop trio Flawes dropped their first album, Highlights, moments before the pandemic descended. A shame then that their potential seemed wrenched for a moment. ‘What’s a Boy to Do’ works to reject that, taken from a whole new EP that keeps things winding nicely. ‘What’s a Boy to Do’ is just brilliant from start to finish – that typical silky melody that has helped many a Brit-gang find success before. It’s hard not to hear this Coldplay meets CHVRCHES anthem appealing.

Kill That Beat, Kult Kyss

KULT KYSS / KILL THAT BEAT

Meet Little Boots and Grimes in the middle of an acid-wrecked dancefloor, half a glass of Vodka-Coke in one hand and a stranger in the other. That’s ‘Kill That Beat’: a gym ready banger that’s all about the trance-inducing production. Dance music really can take you away, can’t it?

FOLEY / SO PERSONAL

Something about a crisp and unfiltered guitar riff gets me real in the mood for chilling in the sunlight, alas it’s freezing outside and Winter is creeping in. ‘So Personal’ is a terrific montage of R&B meets Katy-Perry melodic heaven, particularly shifting gears and exploding in the last minute into an almost entirely different song. Think Foxes does ‘Harley’s In Hawaii’ and you’re halfway there.

Rina Sawayama - SAWAYAMA (Deluxe) Lyrics and Tracklist | Genius

RINA SAWAYAMA / WE OUT HERE

For better or worse, Sawayama wears her influences on her sleeve. The recent album, which has just received a Deluxe Edition, dips wider than the original immaculate RINA EP but those 90s influences will always be integral to Rina as an artist. ‘We Out Here’ is a love letter to key shifts, a chanted chorus and those huge Max Martin chorus’ and, as on that damn good EP, Rina wears it perfectly.

Evanescence Yeah Right

EVANESCENCE / YEAH RIGHT

At some point we’re sure to hear when the actual album is coming out, right? At this point, ‘Yeah Right’ serves as the fourth promotional single with no release date in sight and we’re beginning to feel parched. ‘Yeah Right’ opens as far from traditional Evanescence as you could expect, bringing those Open Door influences flooding back once again, only for the chorus to descend into typically brooding and stretched grunge chorus glory, but it’s those damn verses that keep the song afloat. Delivered in such a way that you can almost hear the smile on her face, ‘Yeah Right’ isn’t going to win any non-fans of Evanescence over, but it’s damn fun hearing the band continue to experiment.

14th August, NMF!

MILEY CYRUS / MIDNIGHT SKY

‘Midnight Sky’ might just be the best Miley Cyrus song ever, and that’s a big feat for someone with such an eclectic back catalogue. Between this, the Ronson collab and her last two singles, Cyrus is really establishing herself as a tour-de-force when it comes to these gritty disco-pop bangers.

EVANESCENCE / USE MY VOICE

You won’t find too many people talking about Evanescence nowadays compared to their bigger days, but ‘Use My Voice’ is an important rallying cry from a female fronted rock band still pushing on 20+ years. Quite unlike anything they’ve done before, it’s an instant roof-raising anthem that you just know they were dying to perform live.

OFF BLOOM / WHAT WE DO

Christ, I love me some good off-kilter music production. Here we have a mutilated country-bedroom-pop riot that is just so charming from start to finish. Understandably a lot of people might be turned off by the quirkiness and the short length, but this is also the exact quirky Britney Spears album track that stans would outwardly champion for single status.

GIA WOODS / INTO IT

Slinky delicious melodies abound, ‘INTO IT’ is all about that god damn chorus. God, there’s something about songs that know they have a killer hook and they just revolve around it. The way her voice glides from high to low on ‘I shouldn’t do it but I’m into it’ send shivers down my spine.

SO BELOW / FEAR

If you’ve already been into So Below, you’ll adore this. Glacial understated pop music that just bubbles and bursts with this dark underlying bass, here we have a study about how fucking stupid ageism in the music industry is. With those trademark stretched vocals and a pulsing electronic synth that rips through right at the end, it’s a damn blinder with a message – the best kind of music.

CMP / MULHOLLAND

For every established artist, there’s the little guy trying to burst through. And that’s why I started this blog, to keep an eye on new and upcoming music regardless of where it’s placed on the New Music Friday Spotify playlists. ‘Mulholland’ is the title track from CMP’s new album, which is due out soon, and it’s that blissful indie soundtrack song I usually feature on here anyway. It’s a good one!

That’s the highlights for the week! At least give the Miley song a spin, it’s such a corker. As with CMP above, hit up my socials if you have a new song and you would like me to take a listen!