July 17th, NMF!

BEABADOOBEE / CARE

‘Care’ is everything you’ll need for this heatwave-rocked summer, its delicious indie melody a perfect vibe for throwing down your car windows and throttling towards the beach. Of course, it might be worth jumping on Street View and taking yourself there digitally to avoid the mass of people also making the move to the sands, but we have to take joy where we can find it now. Luckily ‘Care’ is going to take you there whether you want it to or not.

ELLIE GOULDING / HOW DEEP IS TOO DEEP

It’s really hard to imagine Ellie’s label being pitched with some of the songs on the album and still deciding she had to go away and work on commercially vanilla singles that won’t even make it into the main body of work. Despite the complete state of a rollout for the album, Goulding comes along and proves once again why she’s still a guiding British star. ‘How Deep is Too Deep’ is more Delirium than Bright Lights, but the flourishing production and her eye for a brilliant chorus makes it one of her best. And let’s be honest, she can write these brooding, scolding anthems with her eyes closed now. Try the entire album, it’s a wonder.

YAEGER / CATCH ME IF YOU CAN

Whispery pop girls on Spotify need all they can to bring themselves out of the blur and showcase what they can bring. Yaeger has a way to go to step out of that upcoming Swedish popster lens, despite having a handful of really interesting and brilliant singles to her name already, but ‘Catch Me If You Can’ is an exciting step forward towards her own spotlight. That slinky opening synth is divine and almost steals the song itself, but the real gem of this is that Tove Lo/Lolo Zouai coolness oozing through everything like nitrogen.

CXLOE / 12 STEPS

Speaking of all those anonymous Spotify girls, here comes one of the best of them. CXLOE has been dropping so many damn bangers that it’s hard not to get frustrated to see an album rocking the charts, but luckily she still pulls in the streams. ’12 Steps’ continues in the steps of her previous three singles – being complete utter stompers that fullbred-label artists would die for – and yet like all the best singles it feels like it manages to be just a bit greater than the last. If the next one can top this, I’ll eat my hat.

TROYE SIVAN / EASY

Troye Sivan’s greatest strength is knowing exactly how his music and voice ought to sound, even at the behest of those that may want something more full-bodied with typical pop production (Looking at Petras here). ‘Easy’ then is one of his best, a beautifully subtle piece of bedroom pop that gives him total space and control to glide around the sparse beat like he’s haunting our dreams. It doesn’t sound like a hit, and that’s what’s so GREAT about it. Whilst Bloom was a very good indulgent fantasy moment, it seemed to position Sivan’s bedroom style as though it was a Teenage Dream. Not everything can be, and that’s okay.

AND THAT’S THE HIGHLIGHTS of a very strong week, let me know if there’s anything you found that screams highlight and let me know if you’re dropping anything in the future to come!

9th August, NMF!

It’s a special New Music Friday this week, we’ve compiled the very best of the best of every single piece of new music possibly released below:

KATY PERRY / SMALL TALK

I just can’t believe we went from stranger to lovers to strangers in a life-time.

Not content with releasing one of the biggest pop bangers of the past few years with ‘Never Really Over’, Perry has loaded her pop cannon with everything that makes her unique and special and has fired her load over the world. ‘Small Talk’ balances quirky and fun lyricism with crippling relativity, casually describing the awkwardness of remaining civil with someone that once touched your intimate parts. Who can’t possibly relate with that?

KATY PERRY / SMALL TALK

Sometimes a song is so good that it needs to be repeated. Often times that kind of song isn’t an all-out banger, because it’s easy to get tired of something so relentless, but in this case ‘Small Talk’ is the smartest of earworms – infecting your brain with minuscule hooks and zingers like ‘Everybody at the party thinks youre the best since sliced bread. It’s a charm that Katy pulls off well, especially considering the coldness of her last album, and it ultimately adds to the charm of the song.

KATY PERRY / SMALL TALK

Repeating these kind of songs once is never enough. They worm into your head cavity, bouncing around the bone until you’re humming the melody along in the middle of the busy office. So it needs to be put on again, and that bridge you despised at first opens itself up in its stupidly fun glory. Blah, blah, blah! She sings without a single inflection, threatening to careen the song off course at the last moment, only for it to be incorporated into the final crescendo with an assortment of other tricks. It’s stupid, it’s funny, it’s Katy Perry.

CXLOE, GNASH / SICK

Right firstly we’ll ignore the connotations to mental health and sickness, as though it’s something to wish for and attempt to develop in order to have a dramatic life. The song is fantastic, pushing CXLOE to the higher tiers of anonymous Spotify pop girl. It absolutely didn’t need the rap and frankly I’d have given her much more credit to command a song like this alone, but she absolutely dominated it as it is. The way the ‘Fuck me…. up’ drawls out with such character. Amazing.

CASSIE / SIMPLE THINGS

Cassie returns again with a triumphant bedroom-studio atmospheric dreambop. Yes, a lot of words for a simple song but sometimes a song doesn’t have to be throwing the entire kitchen sink at the wall to work. She seems to be dropping these brilliant excerpts of a completely new persona on the regular, but ‘Simple Things’ is the most promising. With tinges of Rihanna mixed with Swede-pop and her own golden touch – it is proof that simple sometimes is exactly what you need.

KATY PERRY / SMALL TALK

Oh what the hell, let’s play it again. Yes, it’s been on repeat 45 times today already but the hit doesn’t stop getting so sweet. This time, I’ll close my eyes and enjoy that subtle guitar pluck imbuing the verses with urgency.

(Apart from Katy, what were your favourites of the week?)

May 10th, NMF!

Another great week on our hands, here are our absolute favourite tunes of the week:

GRACE CARTER / DON’T HURT LIKE IT USED TO

Grace Carter is the next British starlet that knows their way around a weighty ballad, each one emotional sledgehammers of character that evoke Emeli Sande and Adele but with a much more nuanced and pained outlook. ‘Don’t Hurt Like It Used To’ stuns from the first key, her characteristically huge voice keeping up with the equally big production. Her previous single ‘Heal Me’ was a revelation, and this very much feels like the dark sister track to that.

R3HAB, JULIE BERGAN / DON’T GIVE UP ON ME NOW

‘Don’t Give Up On Me Now’ continues Julie Bergan’s reign as 21st century dance queen, as she rises to the occasion for yet another banger of a dance track. It’s a pretty simple dance song, but Bergan as a pop star continues to enamor in her quest for world success.

AVICII, AGNES, VARGAS & LAGOLA / TOUGH LOVE

Posthumous releases are difficult to listen to, especially if you have a deep connection to the artist in question. Avicii left behind a short but rich legacy, his presence revolutionizing both dance and pop music around the globe. ‘Tough Love’ might not be as polished as his older material, but it’s boundless in effort and is the clear sound of an artist continuing to absorb inspirations. It’s difficult not to imagine Agnes taking this to Eurovision, its clear Europe sound a perfect fit to the infamous stage.

TEAMWORK, NINA NESBITT, AJ MITCHELL / AFTERHOURS

Firstly let’s acknowledge the fact Nina Nesbitt released the best album of the year so far to relatively quiet success. ‘Afterhours’ is a departure from anything on the album, more akin to the generic Chainsmokers-style hits that are all over Spotify right now. Nina elevates this with her presence, her icy vocal the highlight – and she deserves the streams.

CXLOE / LOW BLOW

‘Low Blow’ is CXLOE’s best song yet, positively bouncing as the production relentlessly rolls on. Typically when you’re starting out you need to have a song that either bleeds enough character for people to stop and notice you, or you need a damn good song that hits you on the very first play. For what this lacks in the former, it perfectly captures in the latter.

CARLY RAE JEPSEN / TOO MUCH

With one week away from the release of her new album, Dedicated, Carly has finally decided to drop a fantastic pop song. Drawing inspiration from Swifty’s ‘Delicate’, ‘Too Much’ sparkles with a new and exciting energy that only she can bring. It’s tender but sexual, sweet but daring, and we can finally start to get excited about the album.

Be sure to keep an eye on our dedicated playlists for new releases every single week!