RUPAUL, DRUKS2 CAST / A LITTLE BIT OF LOVE
I doubt you’ve somehow managed to miss the impact of Drag Race UK Season Two, which closed up last night with the usual cast remix of a classic RuPaul song. If you did catch it, don’t worry because the version to stream does not sound as bad as it did on the show. Regardless, the way a 20+ year old song manages to sound so fresh and exciting deserves highlighting. RuPaul may have never set the mainstream charts alight, with obvious reason as to why, but moments like this should go on to prove that certain songs are just packed so full with hooks they’re ready to burst.
AMY SHARK / BABY STEPS
Whilst the first play might have produced a gasp at the possibility of this taking from ‘Barracuda’, it quite quickly does a sharp turn left into familiar Shark territory – that romcom tinged guitar in hand foot-stomping anthem. Recent singles have struggled to push her sound away from the debut and ‘Baby Steps’ isn’t exactly turning her into a modern day Xtina, but it does manage to sound new and exciting for her sonically while the lyrics serve us what we know and love. More of this please, Amy Shark.
THE DISCO FRIES, MOLLY MOORE / DUMB THING
Between this and the recent ‘Careful’ remix, Molly Moore really said you’re going to pay attention to me in 2021. Reminiscent of Jax’s huge DA-DA-DA lite hits (think Wroldsen’s ‘Breathe’ meets Daft Punk), that razor sharp vocal is what carries it into great territory. What would have made this an easy 11/10 would have been one more chorus, but at least it leaves you hovered over the repeat button.
THE BIRTHDAY MASSACRE / THE NEVERENDING STORY
Yes, it’s another solid classic from over twenty years ago. Originally recorded at the start of their career but only ever accessible in shoddy MP3 or in 11 year old YouTube clips, Birthday Massacre have finally gone out of their way to release the crisp and inviting cover we deserve. Having already released and dominated a cover of ‘I Think We’re Alone Now’ in 2008, TBM really showcase again just how polished and recognisable their sound continues to be. The way they infuse what is already an incredible pop song with their own identity, proving it as timeless, is genius. In fact, I’d go as far to call for an entire cover album from them.
CHLOE TANG / GIVE ME THE HIGHS
Easily the most straight-forward and well constructed song of the week, ‘Give Me the Highs’ serves second single from classic Brit pop star energy with it’s stunning infused chorus vocals, the intimate and sharp verses and even the occasional ad-lib choir moment. For some mind boggling reason, this hasn’t been chosen as a single yet? It’s been out for almost 12 hours and it’s not a chart topping single? Ofcom, I want to write a complaint.