Steamrolling right into Mariah Carey season, we have secured some broadly weird but faintly brilliant highlights for you. Forget the tinsel, dodge the baubles, it’s all about New Music Friday. A safe space from the sentimental drivel, I promise.
ELLEY DUHE / NATURE
Duhe’s experimental nature provides a constant excitement at the sight of her name. ‘Nature’ is not going to be what you expect, but it’s going to hit all the right buttons anyway. It’s a little Halsey, a little folksy, a little dancey, all these things you think wouldn’t go together at all, and it’s undeniable.
THE CHAINSMOKERS, AMY SHARK / THE REAPER
Here’s another mash of completely contrasting elements, working well again. You may already know Amy Shark for her sharp-as-nails songwriting skill and her work with Antanoff, and if you do you’ll know how out of the blue this collab feels. The Chainsmokers are as hit and miss as you can get, but when they get it right, and they get the right artist too, it’s a real hit. This doesn’t feel like a classic, but it does feel more interesting than anything they’ve done in years.
NF / PAID MY DUES
Okay, so you’re probably not going to be here for rap music. It’s a divisive genre. ‘Paid My Dues’, however, is quite simply brilliant. NF has been quietly carving a very impressive career, his clear rapping talent punching through every song, and ‘Paid My Dues’ shows exactly why. This isn’t the pop leaning chart-hitter complete with delicate melodic segments, of which he often releases, it’s a spitfire labyrinth of words that sets him up quite clearly as the Eminem prodigy.
KREWELLA, NUCLEYA / GOOD ON YOU
‘Good On You’ packages Krewella’s Pakistani heritage into their well-developed blueprint in an effort to deliver a timewarp into a much simpler dancefloor past. Palatable dance music with a bit of bite is their aesthetic, and at this point it’s exactly what we’ve come to want from them, but it’s a welcome cultural touch that gives it a little bit more dimension than usual.
TEYANA TAYLOR / WE GOT LOVE
Teyana’s ‘We Got Love’ is her spunkiest output yet, a dancefloor anthem that aims for the same heights of Lizzo’s ‘Truth Hurts’ and evokes Janelle Monae’s Prince-lite epics. And I could totally see it making it for the same reasons. In fact it’s so good that I can barely imagine a world in which this doesn’t take off.
BODIN / SOMEBODY
Yes, he’s Scandinavian. It’s CHVRCHES goes to Melodifestivalen, a pure sugar rush with the exact dreamy synths you’d expect and a chorus better than you expected. Excuse me while I go binge on this like glazed donuts.