A big big BIG week this week. We’re talking enough hooks to catch a meal for the whole family. Get your earphones, get comfy… and dig in.
SOFI TUKKER / SWING
One of my highlights of the weak features almost entirely Portuguese lyrics and violent strings set to a dance background. Sofi Tukker have been behind some of the most versatile and exciting dance-pop music in recent memory but ‘Swing’ turns the character up a whole other notch. It’s delightfully addictive, the repeated lyrics cast out like a spell that hooks you right in – and just when it threatens to get too much, those gorgeous strings and a well placed ‘oooooooh’ softens it into pure bliss.
CALL ME LOOP / SELF LOVE
Call Me Loop has ditched the blonde locks and transformed her sound accordingly, switching from the frothy pop hits you’d hear from Rita Ora to a self-help anthem ripped straight from Ace Wilder’s playbook. It’s yet another delivery from Loop that leaves us wondering when she’s going to punch through – it’s positively oozing with character, Georgia’s vocal inflections and speak-sections keep it bouncing along. It doesn’t sound like an obvious hit, but it’s as catchy as the measles. Imagine this on the Melodifestivalen stage with a handful of dancers and coloured ribbons. Perfection!
BANKS / CONTAMINATED
Absolutely without a doubt the highlight of the week, if not one of the highlights of the entire year. While we wait for the album to sink in a little more, ‘Contaminated’ dug its claws in on first listen. It’s that broody, heavily affected ballad that BANKS knows how to deliver – you won’t find much of a deviation from her already perfect formula – but the worldbuilding on display in this song is astounding. Already one of the greatest songwriters out there, ‘Contaminated’ showcases Gillian’s unrivalled ability to present relatable topics in a completely unique, and heartbreaking, way.
THE BAND PERRY / GOOD LIFE
You may know The Band Perry from their fairly extensive country success. If you do, forget all about it. Their first new music in over five years, ‘COORDINATES’ established an entirely new dedication to electronic pop and ‘THE GOOD LIFE’ is the nail in that yeehaw coffin. Astoundingly it sounds as though they have been doing this sound forever, the sharp as nails vocal perfectly complimented by the glacial production. May they never look back.
PVRIS / DEATH OF ME
Like many other bands before them, Paramore being the closest, PVRIS perfected the art of delivering angsty rock music in a palatable pop package. Without sacrificing an ounce of their character, they have consistently delivered exceptional pop songs with that harder edge. ‘Death of Me’ is their best yet – it’s the kind of song we know Halsey would have begged to release. Production wise it is world class (and possibly the best produced song of the year?) with a chorus built to raise arena roofs. Welcome back, PVRIS.