It’s Friday, we’re here and ready to showcase the best of the best of the best. Let’s go:
VERA BLUE / THE WAY THAT YOU LOVE ME
Every now and then someone releases a song which sounds like something at the top of the game. Simultaneously modern, such a song has to tap into similarity and nostalgia just as it paves a whole new direction. If there was any justice, Vera Blue would be catapulted to stratospheric success because of ‘The Way That You Love Me’ – a fantastically catchy master stroke of Vera’s more atypical melodies and a Billie Eilish-esque production, both working against one another and in tandem. Just brilliant.
AU/RA / DANCE IN THE DARK
‘Dance in the Dark’ is brilliant in its odd melancholy and minimalism. Sounding like a Billie Eilish-meets-Grimes album track, it bounces between the most minimal hook-driven choruses of the year to a much more typical Paramore-esque verse. It’s almost enough to cause whiplash, especially considering the chorus opens with nothing but her voice and the bluntest of kicks, but it quickly unfolds into a total earworm.
BLITHE / MASOCHISTIC
First of all it’s kind of terrifying how much she sounds like Anne-Marie on this, but is just so happens to be better than anything on Anne-Marie’s album. Sugary sweet, there’s something slightly saccharine about the delivery until that wonderful hook hits – “I’m just a little masochistic”. Ingrained so deeply into the production and delivered so delicately, it’s arguably one of the best moments of 2019 so far.
STOCKHOLM NOIR / GLORY
Stockholm Noir have helmed some of the strongest dance tracks of the last few years, but they have had us a bit scared recently with a flurry of fairly basic and hard-to-latch-on-to instrumental tracks. ‘Glory’ is a meteoric return to form, successfully crushing simple and evocative melodies (as all Swedes understand how to do more than any other) with the most palatable of dance productions. They really are a dance force to be reckoned with.
RALPH / GRAVITY
Ralph delivers her first dedicated dance banger due to online fan demand, and despite sounding like every other dance remix around, her voice lends itself to the anonymity well. Delivering an underrated and brilliant album last year wasn’t enough, and she continues to prove her desire to keep releasing music and expanding her brand… We commend it. Now give us those quirky pop songs we know you’re sitting on.