Music

New Music Friday: February 27th!

Ms. Lipa has crash landed her epic dance-pop album a week earlier than expected so I forgive you if you can’t bring yourself to listen to anything else, but for those who might still want the other highlights (Of which there are plenty)… let’s go!

DUA LIPA / COOL

The Dua album is brilliant. It’s brilliant smushed together and it’s brilliant picked apart. ‘Cool’ is one of the best, it’s dreamy production a perfect match for her. Also if we’re being honest it’s that opening that makes this so masterful.

LITTLE MIX / BREAK UP SONG

Little Mix’s performance ability has often been at odds with their musical output, veering from fantastic pop to doo-wop nots. ‘Break Up Song’ couldn’t have dropped at a better time considering how similar it is to Dua’s sleek retro leanings. Time will tell whether that will be this singles detriment, but as it is this is one of their absolute best bangers.

GABRIELLE APLIN / MY MISTAKE (REWORK)

The world continues to sleep on Gabrielle Aplin, one of our strongest songwriters. ‘My Mistake’ is originally a heartbreaking sledgehammer of a ballad but god damn, it has one hell of a chorus. Aplin has smartly took it and put a proper donk on it and… it slaps.

ISA / GRAVITY

Here’s another one that really slaps. I couldn’t really tell you what Isa’s shtick is anymore but this is the kind of song Selena Gomez would pick up and turn in to hit with relatively little effort.

GLOWE / OVERWHELMED

One way to get yourself into these musical highlights is to surprise. Is there anything better than a good pop surprise? ‘Overwhelmed’ starts as a Julia Michaels song and switches gears pretty instantly into a brooding epic. The two actually work really well together, really showcasing that feeling of sudden overwhelming emotion. Synths are God’s work.

Music

New Music Friday: February 20th!

Covid may have brought the shutters down on our lives, forcing us into mass quarantine, but that’s not going to stop us from seeking out the best of the best weekly new music. Here’s a special bumper edition, mostly because the music this week is so bloody good, that will make your weekend seem a little less claustrophobic.

LIZ / CLOUDBUSTING (MAOR LEVI REMIX)

You should know Liz by now. She’s damn bloody good at this nostalgic pop thing. Though not satisfied, clearly, because she’s teamed up with Maor Levi to make ‘Cloudbusting’, one of the best songs on her album, into a classic trance anthem truly reminiscent of classics like ‘I Turn to You’. God damn it, this is good.

ISAAC DUNBAR / SCORTON’S CREEK

A slow burner here, but one that practically causes a wildfire by the time the third minute starts to roll around. Well technically this doesn’t hit three minutes, but I can’t play it without replaying so it kind of is. Troye Sivan is apparently loading some new song up our way but unfortunately for him, ‘Scorton’s Creek’ does everything I’ve been looking for him to come back with and frankly it’s stunning. Bloom who?

MARIAN HILL, STEVE DAVIT / EAT U ALIVE

Marian Hill has always been one of those acts you turn to for deeply satisfying production value, kind of like BANKS, but honestly ‘eat u alive’ trumps everything they’ve done previously. The garage meets jazz vibe is an additive, and just wait until you get to the little question-answer section at the end. Masterful.

ARLISSA / HEALING

Actual gasps in the room when the chorus to this one kicks in. It’s a very good year for songs called ‘Healing’, isn’t it? I can’t help but imagine the absolute lengths this could have gone on the charts had Grace Carter snatched it up already, but then Arlissa would have had to give it up, and who would give a song like this up?

WENS / TONGUE TIED

Sometimes you find an artist and fall totally for their tone and approach but you just know they’ve got the shining diamond of a track yet to come. WENS has had some damn good songs come along so far but this… this is the one. Gorgeously subtle, quite honestly the melodies here are world class. Get this girl in writing teams around the globe NOW.

TOVE LO / I’M COMING

Could absolutely anybody else get away with a cover version of a song that simply repeats ‘I’m coming!’? The Queen of the Clouds is BACK.

JOSEF SALVAT / PAPER MOONS

Another male vocal here, which may not be to your taste, but give it a shot because it’s a silky smooth slinky tune with a real Snow Patrol but good singalong chorus to it.

FLEUR EAST / MINE

Fleur has talent pouring out of every orifice, that much is clear, but I was worried ‘Favourite Thing’ would be a bit of a fluke on the album, out now. Luckily, whilst it is the biggest thing there, it absolutely isn’t. ‘Mine’ is a career highlight of hers, an absolute earworm.

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New Music Friday: February 13th!

AVA MAX / KINGS & QUEENS

What year is it again? RedOne alone takes me back at least ten years, but Desmond Child having a hand in this and resident classic-pop-girl Max as well? Luckily this is an absolute blast. Tinged with Abba, this is everything Ava Max should have been doing following the sudden success of ‘Sweet but Psycho’.

ELLIE GOULDING, BLACKBEAR / WORRY ABOUT ME

Ellie’s upcoming album, if it ever sees the light of day, will apparently balance the trap leaning collaborations with her authentic songwriting self by splitting the album directly in two and showcasing both. ‘Worry About Me’ is more of what you’d come to expect from Ellie and doesn’t even attempt to spin the wheel, but it’s a solid affair filled with some nice little Ellie touches (operatic cooing, the gritty THIS and THAT hidden away, cahoo-ha-hool) and a pretty great feature from blackbear.

CAMDEN COX / HEALING (REDFIELD REMIX)

‘Healing’ was already one of the best songs of the year, so I wasn’t exactly expecting a remix to have much to add. Sometimes I love being wrong. Redfield manages to keep that wistful emotion throughout but suddenly it’s instilled with such a brooding and addictive energy that I might never play the original again!

KOVEN / WORLDS COLLIDE

Well, the new Koven album is currently encapsulating my entire life. A proper collision of pop music and dance, which is one of the best couplings ever really, with an absolutely faultless opening in ‘Worlds Collide’. If you’re into this D&B meets Dubstep meets pop banger, be sure to check out the entire album asap.

FLETCHER / FOREVER

I suppose sometimes an artist not breaking through keeps them hungry for it, knowing each release is important to their entire career prospects. Fletcher still feels hungry, despite having quite a few songs under her name now. ‘Forever’ might just be her best yet – a gorgeous and intimate mid-tempo with a total sugar rush of a chorus. And the best part? She clearly has even better to come still.

Do make sure to check out the playlist, updating every Friday! There’s plenty of songs that didn’t quite make it into the highlights but might have done in any other week. At least check out that Koven album!

Music

New Music Friday: February 28th!

LADY GAGA / STUPID LOVE

What else is there to say about this totally new, never been heard before banger? Quite honestly when Gaga fires on all cylinders, there’s nothing like it. ‘Stupid Love’ might just be the best thing she’s put out since Born This Way and it marks a return to the sleeker off-kilter ARTPOP Gaga we’ve all missed since Bradley Cooper got a hold of her. Welcome back PopGa, we’ve missed you.

CHARLOTTE OC / FREEDOM

Charlotte OC was behind one of 2018’s best songs, the subtly brilliant ‘Satellite’ and then the similarly brilliant ‘Boyfriend’ and ‘Better Off On My Own’ landed in 2019 and there was momentary hope that a bloody good album was on the horizon. It never came and we’re in 2020. ‘Freedom’ is her best in a while, an instantly charming power-in-belief anthem that, as Charlotte OC songs tend to do, will worm into your brain and find a home in there. We might be burned but that hope for an album is still there.

LPX / NEW MOOD

Aggression can be so fucking cool, can’t it? LPX gets that, and ‘New Mood’ is dedicated entirely to the vibe. With abrasive guitars, Kate Nash speak-swearing, a throat-achingly screamed chorus, it’s a literal catharsis.

SONIKKU, LIZ / WKND

I haven’t been this surprised by a song in quite a while, and speechless too. ‘WKND’ manages to make me feel things that I can’t even voice so I’ll just list them; Classic. Pop. Madonna. Borderline. Britney Spears. KPop. PCMusic. Sega MegaDrive. Dreamcast. Amazing.

JOE STONE, CAMDEN COX / MIND CONTROL

Now ‘WKND’ has decimated by brain cells with its time travelling ways, ‘Mind Control’ helps cement me back in reality. And it’s a sticky dancefloor at 11PM with a Bacardi Coke in my hand. Camden Cox is one to watch if you haven’t been already because basically amazing songs seem to flock around her in the form of her own and collaborations. Gorgeous dance music made for the club and the gym floor, with vocals that keep the emotion pounding through. What’s not to like?

What were your highlights of the week?

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New Music Friday: February 21st!

Quite possibly the strongest New Music Friday in months. Whittling this one down to five highlights was hard y’all, and I’m pretty sure in any other week others would be near the top. As it stands, the highlights are complete best of 2020 contenders.

EMILY BURNS / HELLO

Burns has gone out of her way to express her scandi-pop influence with that quintessential British charm, and honestly, she’s not way off the mark. ‘Hello’ basically picks up where Cher Lloyd once picked up with an absolutely stunning melody. However, it’s that little whiney synth that makes this a standout. Truly a masterstroke.

GRACEY / GONE

Often I wonder just how much impact Charli XCX has had on pop music considering her somewhat lack of chart success in contrast to her consistent status in pop music. Then I hear songs like ‘Gone’ and I can practically feel her bleeding through. ‘Gone’ is strong enough on its own merits, yet another stunner from Gracey, but that Charli-esque GONE GONE GOWAN is the one.

CALL ME LOOP / DOWNHILL FROM HERE

I wonder if I’ll ever stop featuring Call Me Loop on this blog? Considering her consistency, I wouldn’t bet on it. Keeping with her delicious pop appeal, ‘Downhill…’ doesn’t try to change the formula, but it does continue to show another side to her – just as she did with The Pussycat Dolls’ ‘React’ – that keeps me constantly looking forward to whatever she puts out next.

LOVE HARDER, JULIE BERGAN / OUTTA MY HEAD

At this point Bergan’s name is becoming a stamp of approval. Anything she features on just bounds with character, drips with cool. ‘Outta My Head’ would be in every gym around the country if there was any justice, and easily has one of the best ‘da da da’ sections since Kylie.

PURITY RING / STARDEW

Okay, so I did say this was a strong week, and this was where it got hard. Ultimately the return of Purity Ring deserves an entry every time. Atmospheric electro-pop is chronically underappreciated but somehow they’ve always managed to maintain a cult like status. ‘Stardew’ goes on to prove why – there’s always heartbreaking emotion behind the fizzing production.

https://open.spotify.com/playlist/6itOQo4r7l5ohOkb1w88xR?si=FVopFFqvRJKu5b8iwQLl6A

Music

New Music Friday: 7th February!

Well it’s gay christmas because one look at the playlist and you will see Agnes, Dagny, The Pussycat Dolls, Tove Lo, Aly & AJ, Halsey, Marina… all in one week! Let’s dive right in.

DAGNY / COME OVER

Dagny is a songwriting genius, it’s why Katy Perry looked to her to create the greatest song of all time, ‘Never Really Over’. ‘Come Over’ picks up where she left off – that sublime sugar sweet pop music and relentlessness that she just seems to excel at. I really, really, really need her in the studio with Perry right now.

AGNES / GOODLIFE

There aren’t many artists around that have had as interesting careers as Agnes, who already dropped an amazing EP out of the blue last year. Ditching the experimental 80s vibe of the EP, ‘Goodlife’ turns to STRINGS, and god she sounds gorgeous on it.

THE PUSSYCAT DOLLS / REACT

It’s finally here. Though the wait was certainly worth it for that saucy music video, wow. Penned by the shining talent Call Me Loop, ‘React’ finds PCD crash landing into 2020 with a contemporary ‘Buttons’ of sorts. It’s sexy, it’s smooth, it’s a total rush.

CYN / LONELY GUN

Admittedly Cyn’s output has veered between sounds so much that I never know what she’s going to do with each release, but even with that I couldn’t have expected ‘Lonely Gun’. Taken from the Birds of Prey soundtrack, it is a total RACKET and is all the better for it. A KT Tunstall-style banger with horns, Cyn certainly couldn’t make herself any louder.

INA WROLDSEN / PALE HORSES

Ina is another artist that continuously surprises with the breadth of her releases. Whilst a respected songwriter already, she has had little success on her own terms, and though she’s dropped a few casual appeals to success, for the most part she’s able to experiment and play her own games because of it. ‘Pale Horses’ is one of her best yet; an initially bonkers drum beat soon gives way to an enormous chorus bolstered with strings.

SO there were our highlights of the week but as always more can be found in our dedicated New Music Friday playlist below!

Music

New Dua Friday: 31st January!

Well quite frankly

The budget.

The effort.

The star quality.


Whilst you should definitely check out the Elley Duhe single at the least, we won’t hold it against you if you can’t stop playing the bloody good new Dua Lipa song.